鲍里斯拉夫·拉多维奇的随笔《有些事》中的小个子

Bastina Pub Date : 2021-01-01 DOI:10.5937/bastina31-29145
S. Perić
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引用次数: 0

摘要

本文分析了鲍里斯拉夫·拉多维奇散文中平凡与日常的表象,这种表象最常通过一个小人物的性格表现出来。在琐碎和平凡中,作家发现了崇高和重要的东西,而这些东西往往被赋予了神话的框架。该作品还涉及作家的立场,艺术家沃克,弗兰纳,这介绍了一个主要的现代主义线在拉多维奇的文章。运用分析法和细读法对散文集《有些事》中丰富的小人物形象进行了概览。本文的目的是深入了解鲍里斯拉夫·拉多维奇在日常生活中很少和通常记录的方式,这些方式经过艺术处理后获得了不寻常和神秘的轮廓。作者通过各种程序(列举、讽刺、神话化)和不同的形式,为读者提供了一个机会,让他们重新思考为什么一个小人物经常不在艺术的焦点之外。本文的结果表明,拉多维奇的文章提供了一个不同的小人物形象,不是自然主义或真实的,但不是理想主义的,这代表了一个创新的方法来边缘化的话题,在最近塞尔维亚的论文写作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The small man in the book of the essays 'Some Things' by Borislav Radović
The paper analyzes the appearance of the ordinary and the everyday in the essays of Borislav Radović, which is most often manifested through the character of a small man. In the trivial and mundane, the writer finds the sublime and the important, which often receives a mythological framework. The work also deals with the writer's position of artist-walker, flanner, which introduces a predominantly modernist line in Radović's essays. The analysis method and the close reading method seek to give an overview of the rich gallery of little people in the essay book Some Things. The aim of the paper is to give an insight into the ways in which Borislav Radović records little and usually in everyday life, which after the artistic processing receives the outlines of the unusual and mysterious. Through various procedures (enumeration, ironicity, mythologization) and in different forms, the writer provides an opportunity for the reader to reconsider the reasons why a small man often remains out of focus of art. The results of the paper show that Radović's essays offer a different image of the little man, not naturalistic or veristic but not idealistic, which represents an innovative approach to a marginalized topic in recent Serbian essay writing.
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