自我虚构与多重身份——扎根萨萨·扎雷

Q1 Arts and Humanities
Ana-Maria Stoica
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引用次数: 0

摘要

本文旨在对Sașa Zare的处女作《无根》(2022)中的三维叙事实验进行细读分析。小说叙事层面的人物、叙述者和作者的交替,开启了对罗马尼亚当代作家自传体散文的讨论,同时也实现了超越国家和性别界限的跨越。边疆的经历,他者的主题,区分我们的意识以及恐同思想的破坏性影响在dezrrudriccinare中通过多个视角被描绘出来,首先由叙述者分析。关于跨国文学和世界文学,Zare的话语超越了处女作的局限,提出了一个重要的问题:我们如何在我们所处的社会中定义自己?如果在一开始作者角色不确定她在做什么,直到小说的结尾Sașa将解决有关文学和批评的问题,误解,父权制,她将概述她的想法关于写作对当代女作家真正意味着什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Autoficțiune și identitate multiplă – Dezrădăcinare de Sașa Zare
This paper aims to do a close reading analysis of the tridimensional narrative experiment found in Sașa Zare’s debut novel Dezrădăcinare [Rootlessness] (2022). The alternation between character, narrator, and author seen at the narrative level of the novel starts a discussion about the autofictional prose written by Romanian contemporary writers, achieving at the same time to go beyond both national and gender boundaries. Frontier experiences, the theme of otherness, the awareness of what separates us and the damaging effects of a homophobic thinking are portrayed in Dezrădăcinare through multiple perspectives that are firstly analyzed by the narrator. Regarding transnational and World Literature, Zare’s discourse overpasses the limits of a debut novel and brings forward an important question How can we define ourselves in relation to the society we live in? If in the beginning the author-character is unsure of what she is doing, until the end of the novel Sașa is going to address problems regarding literature and criticism, misconceptions, patriarchy, and she will outline her idea about what does writing really mean for a contemporary woman writer.
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来源期刊
Revista Transilvania
Revista Transilvania Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
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