后人文主义与罗马尼亚当代诗歌

Q1 Arts and Humanities
Emanuel Lupașcu
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引用次数: 3

摘要

本研究旨在描绘后人类主义理论与当代罗马尼亚诗歌之间的联系,以及社会政治、经济和哲学背景,这些背景使“新情感”的出现成为可能,因为2000一代耗尽了其及物性、暴力-存在主义诗学,专注于激进的传记写作。为了理解当代诗歌中后人类坐标的动态,我将分析两种诗歌趋势,它们从关注后人类环境和与数字文化的密切联系演变为对人文主义排斥性形式的假设批判视角。我的分析是为了强调后人类主义(同情和支持)的观点,在这些书中,我既讨论了与权威、白人、男性和异性恋男性所行使的非人性化传统有关的身份问题,也讨论了与新的数字存在和生态方向有关的问题,这些问题与生态危机有关,而不仅仅是政治或社会危机。我的解释接近于“新感性”作为后人类/主义集体的合法化原则的方式,与边缘化的、性别化的或种族化的社区团结一致。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Postumanismul și poezia română contemporană
The present study aims to map the links between posthumanist theory and contemporary Romanian poetry, as well as the socio-political, economic and philosophical contexts that have made possible the emergence of a “new sensibility”, since the generation 2000 exhausts its transitive, violent-existential poetics, focused on radically biographical writing. In order to understand the dynamics of posthuman coordinates in contemporary poetry, I will analyse the two poetic trends that have evolved from a focus on the posthuman environment and from close links with digital culture to an assumed critical perspective on the exclusionary forms of humanism. My analysis is meant to highlight the posthumanist (empathetic and supportive) viewpoint, in the volumes that address identity issues both in relation to the tradition of dehumanization exercised by the canonical, white, male and heteronormative man, but also in relation to the new digital existence, and the eco direction, concerned with the ecological crisis, not just the political or social one. My interpretation approaches the way in which the “new sensibility” functions as a legitimizing principle for the posthuman/ist collective, in solidarity with marginalized, sexualized or racialized communities.
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来源期刊
Revista Transilvania
Revista Transilvania Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
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