阿丽亚娜和金钥匙

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY

Amaltea-Revista de MitocrItica Pub Date : 2016-09-13 DOI:10.5209/AMAL.51778

P. Brunel

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引用次数: 0

摘要

保罗·杜卡斯的作品不能被简化为他最著名的作品《巫师学徒》。他还在许多期刊上发表过文章，是一位与德彪西不同的具有独创性和个人风格的作家。在Arianne et barbe - blue中，被恶意认为只是对Pelleas et Melisande的回应，他最大的关注仍然是将Maeterlinck的诗转化为音乐，将内在音乐从书面语言中带出来的方式。

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Ariane et la Clef d'Or

Paul Dukas’ work cannot be reduced to his most famous piece, L’Apprenti sorcier. Having also published in many journals, he stands out as an author with original and individual style different from Debussy’s. In Arianne et Barbe-Bleue, maliciously considered as just a response to Pelleas et Melisande, his biggest concern remains the transformation into music of Maeterlinck’s poem, the way of bringing the internal music out of written language.

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来源期刊

Amaltea-Revista de MitocrItica HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

33 weeks

期刊介绍： Founded in 2008 by José Manuel Losada, Amaltea (ISSN-e 1989-1709) is a journal of myth criticism with intimate connections to Asteria, the International Association of Myth Criticism, and the Universidad Complutense de Madrid. Its object of study is the way ancient, medieval and modern myths are perceived and adapted in literature and the arts from 1900 to the present day.