玩具级的诗歌:对马诺埃尔·德·巴罗斯的解读

Rafaela Moreira Rodrigues
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引用次数: 0

摘要

本研究提出了一种批判性的阅读马诺埃尔·德·巴罗斯的诗歌-重点是在《纪念Inventadas》一书中的诗歌。作为少年巴罗斯鉴于他的作品中对诗歌练习的关注。事实上,有一种以诗歌为特征的动态游戏,在唤起“玩具”的物质性的同时想要反身。在这部作品中经常出现的元诗,清楚地表明诗人的愿望是达到某种先于词语的东西,因此,他打算把自己置于可以说的原则之上,所以经常使用诸如孩子,鸟和/或流浪者之类的参考。这种原始/原始的情况似乎是感知世界和事物与概念化它们之间的边界。也就是说,在感官知觉和语言中这些事物的意义组织之间,发生了一种“交叉”,从一种情况转移到另一种情况。鉴于此,有可能通过语言的“反用法”来探究诗歌作为玩具和游戏艺术的表现,即思考玩具与诗歌之间的关系,观察作为工具的可能性,使能指与意义之间的位移成为可能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Poesia ao grau de brinquedo: Uma leitura de Manoel de Barros
This research proposes a critical reading of the poetry of Manoel de Barros - with emphasis on the poems in the book Memorias Inventadas. As Infâncias de Manoel de Barros in view of the preoccupation with the poetic exercise present in his work. In fact, there is a dynamic game characterized by a poetry that wants to be reflexive while evoking the materiality made "toy". The metapoetry, frequent in this work, make it clear that the poet's desire is to achieve something that is prior to the word and therefore intends to place himself on the principle of what can be said, so it is recurrent to use references such as the child , the birds and / or the wanderers. This primitive / primordial situation seems to be the frontier between perceiving the world and things and conceptualizing them. That is, between the sensory perception and the organization of the meaning of these things in language, a "crossing" happens, a displacement from one condition to another. nIn view of this, it was possible to inquire how poetry performs as a toy and art of playing through the "trans-use" of language, that is, to think of the relations between toy and poetry, observing the possibility of being instruments that enable the displacement between signifiers and meanings.
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