{"title":"在呼吸的尽头","authors":"Ramona Fotiade","doi":"10.5040/9780755694372","DOIUrl":null,"url":null,"abstract":"A monograph devoted to Jean-Luc Godard's first feature film, A bout de souffle (1960), which provides an in-depth analysis of the production and reception contexts of the film, as well as of salient aspects of mise-en-scene and editing, in order to arrive at a postmodern re-assessment of the notion of authorship.","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Bout de Souffle\",\"authors\":\"Ramona Fotiade\",\"doi\":\"10.5040/9780755694372\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A monograph devoted to Jean-Luc Godard's first feature film, A bout de souffle (1960), which provides an in-depth analysis of the production and reception contexts of the film, as well as of salient aspects of mise-en-scene and editing, in order to arrive at a postmodern re-assessment of the notion of authorship.\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2013-07-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5040/9780755694372\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5040/9780755694372","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A monograph devoted to Jean-Luc Godard's first feature film, A bout de souffle (1960), which provides an in-depth analysis of the production and reception contexts of the film, as well as of salient aspects of mise-en-scene and editing, in order to arrive at a postmodern re-assessment of the notion of authorship.