Nikita Alekseev 2015-2021图形系列中的后媒介状态

Q4 Social Sciences
A. A. Gerasimova
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引用次数: 0

摘要

本文以尼基塔·阿列克谢耶夫(Nikita Alekseev) 2015-2021年被称为“垂死的绘画”的图形系列为基础,致力于当代艺术空间中后媒介状态下“物”的转化现象。通过罗莎琳德·克劳斯的理论,简要概述了20世纪艺术中“物”从对象到表演性的转变。序列性、虚构性和纪实性成为后媒介时代艺术对象的主要存在因素。图形图同时具有材料和临时性质的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Post-Medium Condition in graphic series of 2015–2021 by Nikita Alekseev
The article is dedicated to such phenomenon as transformation of the “thing” in post-medium condition of contemporary art space based on the graphic series of 2015–2021 by Nikita Alekseev that can be called “Dying drawings”. A brief overview of the “thing” transition from an object to performativity in the art of the XXth century through Rosalind Krauss theory is given. Seriality, fiction and documentation became the main existential factors for the art objects in post-medium era. The way graphic drawings possess simultaneously material and temporary properties is shown.
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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