威廉·特纳:康斯坦丁·索莫夫艺术中彩虹主题的来源

Q4 Social Sciences
A. Zavyalova
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引用次数: 0

摘要

本文考察了威廉·特纳的彩虹风景画对康斯坦丁·索莫夫的风景画的影响,他也描绘了19世纪90年代末至20世纪20年代中期的彩虹。据透露,他在伦敦收到的画作的直接印象在他对特纳艺术的热情中起了很大的作用。多亏了他们,索莫夫被将彩虹作为一种大气现象在景观中表现出来的任务所吸引。关于艺术史的文章,即书面资料,也被发现——约翰·罗斯金和理查德·穆特的作品让他在圣彼得堡对这位大师产生了兴趣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
William Turner: the sources of the rainbow theme in the art of Konstantin Somov
The article examines the influence of William Turner's landscapes with a rainbow on the landscapes of Konstantin Somov also depicting a rainbow of the late 1890s - mid 1920s. It is revealed that direct impressions from his paintings received in London played a large role in his passion for Turner's art. Thanks to them, Somov was carried away by the task of conveying a rainbow in a landscape as an atmospheric phenomenon. Essays on art history, i.e. written sources, are also found - the works of John Ruskin and Richard Muter prepared his interest in this master back in St Petersburg.
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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