芬兰在“Mir Iskusstva”(艺术世界)艺术家协会展览中的形象

Q4 Social Sciences
Nadezhda A. Musyankova
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引用次数: 0

摘要

在19世纪和20世纪之交,俄罗斯和芬兰之间复杂而模糊的关系反映在文化领域,特别是在俄罗斯最“亲西方”的艺术协会“Mir Iskusstva”(艺术世界)的展览上。在“Mir Iskusstva”(世界艺术)展览上创作的芬兰自然形象,揭示了与俄罗斯中部景观具有共同特征的北方景观自然、朦胧之美的诗意魅力。他为形成一种共同的文化完整性做出了贡献,使研究人员能够讨论俄罗斯和芬兰艺术共同的北方版新艺术风格的统一特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The image of Finland at the exhibitions of artists association “Mir Iskusstva” (World of Art)
The complex and ambiguous relations between Russia and Finland at the turn of the 19th and 20th centuries were reflected in the cultural sphere, in particular, at the exhibitions of the most “pro-Western” art association of Russia “Mir Iskusstva” (World of Art). The image of Finnish nature, created at the “Mir Iskusstva” (World of Art) exhibitions, revealed the poetic charm of the natural, dim beauty of the northern landscape, which has common features with the Central Russian landscape. He contributed to the formation of a common cultural integrity, allowing researchers to talk about the uniform features of the northern version of the Art Nouveau style, common to both Russian and Finnish art.
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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