科纳舍维奇早期作品中“艺术世界”的图形传统

Q4 Social Sciences
D. Fomin
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引用次数: 0

摘要

这篇文章的目的是具体化,并在一定程度上纠正看似无可争辩的声明,关于俄罗斯最多产的插画家之一V.M.科纳舍维奇对“艺术世界”的图形传统的承诺。这个圈子的大师的影响在科纳舍维奇(1917-1922)的早期作品中尤为明显。然而,即使在这个时期,艺术家也不是名人的追随者,他利用老同志的发现来解决他们感兴趣的圈子之外的问题,他在寻找自己的风格。本文比较了这位新手插画师与著名协会大师的作品,分析了他们对一位年轻同事作品的看法,以及科纳舍维奇对“艺术世界”美学的看法和他自己的创作路径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Graphic traditions of the “World of art” in the early work of V.M. Konashevich
The purpose of the article is to concretize and somewhat correct the seemingly indisputable statement about the commitment of one of the most prolific Russian illustrators, V.M. Konashevich, to the graphic tradition of the “World of Art”. The influence of the masters of this circle was particularly evident in the early work of Konashevich (1917-1922). However, even in this period, the artist was not the epigone of the luminaries, he used the discoveries of his older comrades to solve problems that lay outside the circle of their interests, he was looking for his own style. The article compares the experiences of the novice illustrator with the works of the masters of the famous association, analyzes their statements about the works of a younger colleague, as well as Konashevich's opinions about the aesthetics of the “World of Art” and about his own creative path.
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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