展示宗教艺术的空间:俄罗斯和外国的经验

Q4 Social Sciences
V. Barashkov
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引用次数: 1

摘要

随着20 - 21世纪艺术作品“展示价值”(V. Benjamin)的增长,它们的感知语境也发生了变化。非忏悔的宗教艺术在不同的展览背景下揭示了它的相关性:在教堂和教堂综合体的空间,在城市空间,在教区和艺术博物馆。教堂和艺术之间的特殊对话空间也被创造出来。对外国和俄罗斯经验的比较分析是基于对艺术与宗教之间互动方式的同步搜索。作者以基督教会的活动为例,表明了他们对艺术能力形成的相关性的认识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Spaces for exhibiting religious art: Russian and foreign experience
With the growth of the art works ‘exposition value’ (V. Benjamin) in the XX–XXI centuries, the contexts of their perception also change. Non-confessional religious art reveals its relevance in various exposition contexts: in the space of a church and church complex, in urban spaces, in diocesan and art museums. Special spaces for dialogue between church and art are also being created. A comparative analysis of foreign and Russian experience is based on a synchronous search for ways of interaction between art and religion. On the example of the activities of Christian churches, the author shows their recognition of the relevance of the formation of artistic competence.
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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