作为“自我引用”的过去:18世纪及其在世界艺术运动成员作品中的创造性反映

Q4 Social Sciences
Olga S. Davydova
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引用次数: 0

摘要

本文结合新艺术运动的创新特征与过去的关系,对“艺术世界”艺术团体作品的视觉诗学进行了分析回顾。象征主义世界观中固有的通过艺术形象对时间的感知,被认为是赋予艺术世界主要大师回顾梦想的主要来源之一,具有对理想的主观意义的诗意渴望。对想象中的过去的怀念,对其艺术现实对自己内心世界的挪用,使该团体的艺术家走上了将“引用”变为“自引”,将“样本”变为“图像”,将“复制”变为“相似”的道路。这一过程扩展了艺术语言的语义成分,在20世纪前三分之一的创作实践中为过去和现在的综合开辟了新的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Past as “self-citations”: The 18th century and its creative reflection in the works of the members of the World of Art Movement
The article gives an analytical review of the visual poetics of the works of Mir iskusstva (World of Art) artistic group in the context of the relationship of the innovative features of the Art Nouveau with the Past. The perception of Time through the images of Art, inherent in the symbolist worldview, is considered as one of the main sources that gives the retrospective dreams of the leading World of Art masters the character of a subjectively significant poetic longing for an ideal. Nostalgia for the imaginary past, the appropriation of its artistic reality to its own inner world, led the artists of the group to the path of turning a “quote” into a “self-citation”, a “sample” into an “image”, a “copy” into a “likeness”. This process expanded the semantic component of the artistic language, opening up new possibilities for the synthesis of the past and the presentin the creative practice of the first third of the 20th century.
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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