类型中的类型。19世纪下半叶俄罗斯艺术中的静物画

Q4 Social Sciences

Academia (Greece) Pub Date : 2020-01-01 DOI:10.37953/2079-0341-2020-1-1-33-40

Svetlana V. Usacheva

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引用次数: 0

摘要

这篇文章致力于19世纪下半叶俄罗斯艺术中静物画存在的生活条件。静物画在流派结构中处于边缘地位，但在现实主义艺术家的教育和创作实践中继续发挥着重要作用。我们特别关注瓦西里·苏里科夫的作品，在他的作品中，客观的母题不仅是构图解决方案的重要组成部分，而且是时代艺术视野转变的一个指标。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Genre out of genre. Still life painting in Russian art of the second half of the 19th century

The article is devoted to the living conditions in which still life painting existed in Russian art in the second half of the 19th century. Still life painting occupied a peripheral position in the genre structure, but continued to play an important role in the educational and creative practice of realist artists. Special attention is paid to the works of Vassily Surikov, in which objective motifs were not only an important part of compositional solution, but also an indicator of the transformation of the artistic vision of the era in general.

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来源期刊

Academia (Greece) Social Sciences-Education

CiteScore

0.50

自引率

0.00%

发文量

审稿时长

24 weeks

期刊介绍： ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.