伪造与考古学:里卡多·拉查姆，前西班牙文字和瓜亚坎海盗

IF 0.5 4区艺术学 0 ARCHAEOLOGY

Boletin del Museo Chileno de Arte Precolombino Pub Date : 2020-01-01 DOI:10.4067/s0718-68942020000200127

Francísco Garrido, Carouna Valenzuela

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引用次数: 0

摘要

拉查姆随后发表了四篇关于这一理论的文章，几年后还出版了一本类似小说的书，但以事实的形式呈现。这篇文章反映了博物馆藏品中的赝品，这些赝品揭示了专家的不可靠性，考古学知识的建立方式，在这种情况下，它在创造历史现实中的作用。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Falsificaciones y arqueología: Ricardo Latcham, la escritura prehispánica y los piratas de Guayacán

Latcham would go on to publish four articles about this theory and, some years later, a novel-like book, but presented as factual. This article reflects on the forgeries in museum collections, which reveal the fallibility of experts, the ways in which archaeological knowledge is built and, in this case, its role in the invention of historical reality.

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来源期刊

Boletin del Museo Chileno de Arte Precolombino Multiple-

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： The Boletín del Museo Chileno de Arte Precolombino is a biannual journal founded in 1985 with the central objective of publishing articles, essays and investigative reports in Spanish and English on topics of indigenous American art and symbolism, with a special focus on pre-Contact times. It is the only specialized journal of its kind in Latin America today. The journal welcomes articles, essays and investigative reports on topics related to archeology, anthropology, rock art, visual art, history, architecture, cognition, cosmology, ecology, economics, ethnography, ideology, musicology, technology and related disciplines. In both content and graphics, submissions must have a clear and justifiable link to the journal’s central objective. Submissions that combine two or more of the above-mentioned themes are especially welcome.