莎士比亚的《冬天的故事》和莎拉·凯恩的《菲德拉之恋》的列文式阅读

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
A. Aghaei, Bahee Hadaegh
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引用次数: 0

摘要

本研究旨在从列维纳斯的观点出发,比较莎士比亚的《冬天的故事》(1623)与凯恩的《费德拉之恋》(1996),以及列维纳斯在其核心著作《存在之外或超越本质》(1978)中所表达的存在与他者关系的观点。以文本为基础,对两部戏剧的中心事件进行分析,以充实两位剧作家在处理他者方法方面的异同。在分析中,最重要的是戏剧人物如何处理对他者的责任,以及他们如何对面对他者的奇迹作出反应。结论是,在莎士比亚的戏剧中,人物大多没有履行他们的道德责任,而那些履行道德责任的人也没有得到善待;然而,随着剧情的发展,他们开始为彼此承担责任,这导致了一个圆满的结局。相比之下,在凯恩的戏剧中,没有一个快乐的结局,因为绝大多数角色没有意识到他们的责任,因此,他们面对他者的惊奇变得极端暴力。此外,即使是那些勇于承担责任的角色,也会和那些不承担道德责任的角色遭遇同样可怕的命运。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A LEVINASIAN READING OF SHAKESPEARE’S THE WINTER’S TALE AND SARAH KANE’S PHAEDRA’S LOVE
This research aims to compare Shakespeare’s The Winter’s Tale (1623) with Kane’s Phaedra’s Love (1996) from the viewpoint of Levinas and his ideas on the relationship between being and the Other expressed in his pivotal work Otherwise than Being or Beyond Essence (1978). The central events of the two plays are analyzed based on the text to flesh out the similarities and differences the two playwrights have with regard to their treatment of the approach of the Other. Of the highest importance in the analysis is how the characters of the plays deal with responsibility for the Other, and also how they react to the wonder of facing the Other. It is concluded that, in Shakespeare’s play, the characters mostly do not carry out their ethical responsibility, and those who do are not treated well; as the play progresses, however, they start to take responsibility for one another which leads to a mostly happy ending. In Kane’s play, by contrast, there is no happy ending because the vast majority of characters do not realize their responsibility, and thus, their wonder at facing the Other turns extremely violent. Additionally, even those characters that come to terms with their responsibility undergo the same gruesome fate as those who do not embody ethical responsibility.
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来源期刊
Folia Linguistica et Litteraria
Folia Linguistica et Litteraria HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
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发文量
29
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