根据Bertold Brecht的说法,成功是自相矛盾的

S. Macenka
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引用次数: 0

摘要

本文详细分析了德国著名作家、剧作家、诗人和导演布莱希特(Bertold Brecht, 1898-1956)创作活动中成功的要素。本文确立了布莱希特无疑是20世纪最成功的作家之一。他在戏剧研究和艺术批评领域的广泛认可证明了这一点;他获得的声望很高的奖项;他所创立的剧院的长期活动;他对电影和音乐,尤其是爵士乐和香颂的影响。本研究的目的是识别矛盾和辩证法明确针对布莱希特的作品的成功。本研究依托于文化研究的文学批评框架。参考1928年《三便士歌剧》首演的独特成功,作者对取得成功的积极和有目的的活动进行了概述:使用音乐和其他艺术手段;实现作品作为集体创造力的理念;大众传媒、广告和公众讨论的参与。鉴于在关于Keuner先生的短篇小说《成功》中所描绘的深思熟虑的场景,作者的思维方式就像他对待自己的成就和失败的态度一样,具有自相矛盾的特点。值得注意的是,在葡萄牙作家gonalalo M. Tavarez的新作品《Mr. Brecht and Success》(2004)中,德国作家的辩证思维被认为是其创作生涯成功的决定性因素。gonalo M. Tavarez的这本书包含了受Keuner先生启发的故事,而在视觉层面上,它描绘了Bertold Brecht的成功故事,他发现自己被自己的成就所困。因此,事实证明,尽管成功和失败有不同的因素——商业的、艺术的、流行的、诗歌的、个人的——艺术家认为它们是不可分割和互利的。在他对成功的看法中,他对自己的成就和缺点是一个相当有能力的管理者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Success Paradoxes According to Bertold Brecht
The article presents a detailed analysis of the elements of success in the creative activities of the renowned German writer, playwright, poet and director Bertold Brecht (1898–1956). The paper establishes that Brecht is undoubtedly one of the most successful authors of the 20th century. This is attested by his wide recognition in the sphere of theatre studies and art criticism; the prestigious awards he received; the lengthy activities of the theatre that he founded; his impact on cinema and music, jazz and chanson in particular. The aim of the study is to identify contradictions and dialecticisms explicitly aimed at the success of Bertold Brecht’s works. The research relies on the framework of culture studies literary criticism. With reference to the unique success of The Threepenny Opera premiere in 1928, proactive and purposeful activities of the author towards achieving success have been outlined: the use of music and other means of art; implementation of the idea of a work as collective creativity; involvement of mass media, advertisement and public discussion. In view of the scene of deliberation depicted in the short story “Success” about Mr. Keuner, the author’s way of thinking is characterized as paradoxical, as was his attitude towards his own achievement and failure. It is notable that in the new reception (Mr. Brecht and Success (2004) by the Portuguese writer Gonçalo M. Tavarez) attention is paid to the dialectical thinking of the German writer as a decisive factor for his successful creative career. The book by Gonçalo M. Tavarez contains stories inspired by Mr. Keuner, while on the visual level it depicts the success story of Bertold Brecht who finds himself trapped by his own accomplishment. It is, therefore, proven that despite the different elements of success and failure – commercial, artistic, popular, poetological, individual – the artist perceived them as indivisible and mutually beneficial. In his perception of success he was quite a capable manager of his own achievements and shortcomings.
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