卫生设备:魏玛电影与环境混乱。保罗·多布莱登著。埃文斯顿,伊利诺伊州:西北大学出版社,2022。Vii + 208页+ 21 b/w图像。精装本$120.00,平装本或电子书$39.95。

IF 0.1 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Monatshefte Pub Date : 2023-01-01 DOI:10.3368/m.115.2.305
Steve Choe
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引用次数: 0

摘要

专注于选定的艺术品。但结论本可以是一个探索本书主题的关键方面如何在后魏玛时代产生共鸣的机会,比如迪克斯在第三帝国或西德的作品,或者数字时代的艺术和再现性,或者将魏玛时代关于时尚和时间性的著作与更近的文本进行比较。有几章最后介绍了迪克斯的另一幅画,但由于这些章节已经彻底地(并且出色地)阐述了他们的主题,这些结论可以为读者描绘出一幅大图画,而不会削弱这本已经很强大的书的力量。奥托·迪克斯和魏玛媒体文化是一个深入研究和细致入微的研究,非常适合研究生,独立学者和教师在艺术史上,特别是那些对现代德国艺术或媒体研究感兴趣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Hygienic Apparatus: Weimar Cinema and Environmental Disorder. By Paul Dobryden. Evanston, IL: Northwestern University Press, 2022. vii + 208 pages + 21 b/w images. $120.00 hardcover, $39.95 paperback or eBook.
focused on selected artworks. But the conclusion could have been an opportunity to explore how key aspects of the volume’s topic resonate post-Weimar, such as Dix’s work in the Third Reich or in West Germany, or art and reproducibility in the digital age, or a comparison of Weimar-era writings on fashion and temporality with more recent texts. Several chapters conclude by introducing an additional Dix painting, but as the chapters already thoroughly (and superbly) address their topics, these conclusions could have instead drawn the big picture for the reader, all without diluting the strengths of this already-strong book. Otto Dix and Weimar Media Culture is a thoroughly researched and nuanced study and well-suited for graduate students, independent scholars, and faculty in art history, especially those interested in modern German art or media studies.
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Monatshefte
Monatshefte LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
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