天使之死:21世纪启蒙与魔法关系的思考

IF 0.2 4区 哲学 0 RELIGION
TEMENOS Pub Date : 2011-11-25 DOI:10.33356/TEMENOS.4618
R. Behar
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引用次数: 1

摘要

探戈艺术家Astor Piazzolla的作品《天使之死》(La muerte del angel)启发了人们对21世纪启蒙与魅力之间关系的思考。这首赋格曲是皮亚佐拉为一部名为《天使的探戈》的戏剧所作的伴奏,这部戏剧讲述了一位天使在布宜诺斯艾利斯试图治愈破碎的人类灵魂,结果却死于一场械斗。凭借探戈的忧郁、渴望和犹豫的希望,我分享了我在旅行中的故事,在那里我参与了维持一种民族志艺术的斗争,这种艺术将心灵带入了了解世界的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Death of the Angel: Reflections on the Relationship between Enlightenment and Enchantment in the Twenty-first Century
Tango artist Astor Piazzolla’s composition, ‘La muerte del angel’, serves as inspiration for a few reflections on the relationship between enlightenment and enchantment in the 21st century. Piazzolla wrote the fugue as accompaniment to a play, ‘Tango del angel’, about an angel who tries to heal broken human spirits in Buenos Aires and ends up dying in a knife fight. Drawing on tango’s melancholy, longing, and hesitant hoping, I share stories from my travels where I engage with the struggle to sustain an ethnographic art that brings heart to the process of knowing the world.
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来源期刊
TEMENOS
TEMENOS RELIGION-
CiteScore
1.10
自引率
11.10%
发文量
10
审稿时长
26 weeks
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