塞缪尔·贝克特和残疾人表演

IF 0.3 4区 文学 0 LITERARY THEORY & CRITICISM
Hannah Simpson
{"title":"塞缪尔·贝克特和残疾人表演","authors":"Hannah Simpson","doi":"10.3366/JOBS.2021.0327","DOIUrl":null,"url":null,"abstract":"Beckett's plays have attracted a striking range of disability performances, in part because of their insistent attention on embodied existence and the impaired body. Here, I examine four recent disability performances of Beckett's plays, exploring how these productions prompt re-evaluation of the previously undetected indicators of disability in the scripts, including mobility impairment, automatic speech, stuttering, and memory deficiency. Drawing on a series of original interviews with the practitioners in question, I examine the intersection between textual aesthetics and disability ethics in these contemporary productions, emphasising how these performances illuminate crucial corporeal, social, and ontological concerns in Beckett's original scripts, in newly embodied terms.","PeriodicalId":41421,"journal":{"name":"JOURNAL OF BECKETT STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":"{\"title\":\"Samuel Beckett and Disability Performance\",\"authors\":\"Hannah Simpson\",\"doi\":\"10.3366/JOBS.2021.0327\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Beckett's plays have attracted a striking range of disability performances, in part because of their insistent attention on embodied existence and the impaired body. Here, I examine four recent disability performances of Beckett's plays, exploring how these productions prompt re-evaluation of the previously undetected indicators of disability in the scripts, including mobility impairment, automatic speech, stuttering, and memory deficiency. Drawing on a series of original interviews with the practitioners in question, I examine the intersection between textual aesthetics and disability ethics in these contemporary productions, emphasising how these performances illuminate crucial corporeal, social, and ontological concerns in Beckett's original scripts, in newly embodied terms.\",\"PeriodicalId\":41421,\"journal\":{\"name\":\"JOURNAL OF BECKETT STUDIES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"5\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF BECKETT STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/JOBS.2021.0327\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF BECKETT STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/JOBS.2021.0327","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 5

摘要

贝克特的戏剧吸引了一系列引人注目的残疾人表演,部分原因是他们坚持关注具象化的存在和受损的身体。在这里,我研究了贝克特戏剧中最近的四个残疾表演,探索这些作品如何促使人们重新评估剧本中以前未被发现的残疾指标,包括行动障碍、自动语言、口吃和记忆缺陷。通过对相关从业者的一系列原始采访,我研究了这些当代作品中文本美学和残疾伦理之间的交集,强调这些表演如何以新体现的方式阐明贝克特原始剧本中至关重要的身体、社会和本体论问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Samuel Beckett and Disability Performance
Beckett's plays have attracted a striking range of disability performances, in part because of their insistent attention on embodied existence and the impaired body. Here, I examine four recent disability performances of Beckett's plays, exploring how these productions prompt re-evaluation of the previously undetected indicators of disability in the scripts, including mobility impairment, automatic speech, stuttering, and memory deficiency. Drawing on a series of original interviews with the practitioners in question, I examine the intersection between textual aesthetics and disability ethics in these contemporary productions, emphasising how these performances illuminate crucial corporeal, social, and ontological concerns in Beckett's original scripts, in newly embodied terms.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
33
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信