塞缪尔·贝克特和残疾人表演

IF 0.3 4区 文学 0 LITERARY THEORY & CRITICISM
Hannah Simpson
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引用次数: 5

摘要

贝克特的戏剧吸引了一系列引人注目的残疾人表演,部分原因是他们坚持关注具象化的存在和受损的身体。在这里,我研究了贝克特戏剧中最近的四个残疾表演,探索这些作品如何促使人们重新评估剧本中以前未被发现的残疾指标,包括行动障碍、自动语言、口吃和记忆缺陷。通过对相关从业者的一系列原始采访,我研究了这些当代作品中文本美学和残疾伦理之间的交集,强调这些表演如何以新体现的方式阐明贝克特原始剧本中至关重要的身体、社会和本体论问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Samuel Beckett and Disability Performance
Beckett's plays have attracted a striking range of disability performances, in part because of their insistent attention on embodied existence and the impaired body. Here, I examine four recent disability performances of Beckett's plays, exploring how these productions prompt re-evaluation of the previously undetected indicators of disability in the scripts, including mobility impairment, automatic speech, stuttering, and memory deficiency. Drawing on a series of original interviews with the practitioners in question, I examine the intersection between textual aesthetics and disability ethics in these contemporary productions, emphasising how these performances illuminate crucial corporeal, social, and ontological concerns in Beckett's original scripts, in newly embodied terms.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
33
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