在艺术的镜子里:弗拉基米尔·维索茨基作为一种文化现象

V. Tolstykh
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引用次数: 1

摘要

艺术文化现象的普遍性社会意义有其特殊性。它往往是一个独立的东西,一个“规则的例外”,但它却表达了文学和艺术发展中的某种重要趋势。弗拉基米尔·维索茨基(Vladimir Vysotskii)的作品尤其如此,就在不久之前,他的作品在一些人(甚至在今天的许多人)看来,还几乎是真正艺术过程的边缘分支,一种“废话”,与困扰我们的社会问题和问题没有直接关系。在最近的党代会的影响下,公众对真相的解释和经验教训表明,情况确实在我们眼前发生了变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In the Mirror of Art: Vladimir Vysotskii as a Cultural Phenomenon
The universal social significance of the phenomena of artistic culture has its own specific features. Often it is something standing alone, an "exception to the rule," which nonetheless gives expression to some important tendency in the evolution of literature and art. This has been the case, in particular, with the works of Vladimir Vysotskii, who only a short time ago still seemed to some (and to many even today) as some almost peripheral offshoot of the real artistic process, a kind of "nonsense," having no direct bearing on the social problems and questions bothering us. In light of the lessons of truth, interpreted and experienced by the public under the impact of the recent party congress, the situation is literally changing before our very eyes.
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