{"title":"阿瑟·富加德的戏剧艺术:从南非到世界","authors":"S. Lewis, Albert Wertheim","doi":"10.2307/486321","DOIUrl":null,"url":null,"abstract":"Introduction 1. Early Work and Early Themes 2. The Port Elizabeth Plays: The Voice with Which We Speak from the Heart 3. 'Acting' Against Apartheid 4. Dimetos: Fugard's First Problem Play 5. The Drama as Teaching and Learning: Trauerspiel, Tragedy, Hope and Race 6. The Other Problem Plays 7. Writing to Right: Scripting Apartheid's Demise 8. Where Do We, Where Do I, Go from Here?: Performing a New South Africa Works Cited Index","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2002-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/486321","citationCount":"36","resultStr":"{\"title\":\"The Dramatic Art of Athol Fugard: From South Africa to the World\",\"authors\":\"S. Lewis, Albert Wertheim\",\"doi\":\"10.2307/486321\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Introduction 1. Early Work and Early Themes 2. The Port Elizabeth Plays: The Voice with Which We Speak from the Heart 3. 'Acting' Against Apartheid 4. Dimetos: Fugard's First Problem Play 5. The Drama as Teaching and Learning: Trauerspiel, Tragedy, Hope and Race 6. The Other Problem Plays 7. Writing to Right: Scripting Apartheid's Demise 8. Where Do We, Where Do I, Go from Here?: Performing a New South Africa Works Cited Index\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2002-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/486321\",\"citationCount\":\"36\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/486321\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/486321","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Dramatic Art of Athol Fugard: From South Africa to the World
Introduction 1. Early Work and Early Themes 2. The Port Elizabeth Plays: The Voice with Which We Speak from the Heart 3. 'Acting' Against Apartheid 4. Dimetos: Fugard's First Problem Play 5. The Drama as Teaching and Learning: Trauerspiel, Tragedy, Hope and Race 6. The Other Problem Plays 7. Writing to Right: Scripting Apartheid's Demise 8. Where Do We, Where Do I, Go from Here?: Performing a New South Africa Works Cited Index