即兴演唱——一个认知和心理过程

IF 0.1 0 MUSIC
Luiza Zan, Stela Drăgulin
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引用次数: 0

摘要

“这篇文章的目的是比较在即兴演唱时大脑的神经生理过程和自发创作旋律的心理影响。通过把握当下,同时向观众展示大量的音乐知识和具体的声乐技巧,声乐即兴创作是爵士歌手和爵士声乐教育家感兴趣的广泛领域,其独特的过程尚未得到充分的理解和解释。在我多年的学习和练习声乐即兴创作的过程中,我一直试图理解这两个组成部分之间的平衡——声乐即兴创作的认知坐标和心理坐标,以及这些坐标在表演艺术框架之外对我们日常生活的影响。歌手在自发创作时为什么会做出某些音乐选择,而避免其他选择,以及即兴创作在我们日常生活中很重要的原因,这些原因成为了本研究的对象。关键词:声乐即兴,自发创作,心理过程
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vocal Improvisation – A Cognitive and a Psychological Process
"The purpose of this article is to compare the neurophysiological processes of the brain during vocal improvisation and the psychological implications of a spontaneous composition of melody. By taking command of the present, while at the same time bringing forward to the audience an extensive amount of musical knowledge and specific vocal techniques, vocal improvisation is an extensive field of interest for jazz singers and jazz voice educators alike, and its distinct processes are yet to be fully understood and explained. In my years of studying and practicing vocal improvisation, I have sought to understand the balance between these two components – the cognitive and the psychological coordinates of the vocal improvisation and the implications of these coordinates on our everyday life, outside the performing arts frame. The reasons why a singer makes certain musical choices when creating spontaneously, while avoiding others, together with the reasons why improvisation is important in our everyday lives, these reasons make the object of this study. Keywords: vocal improvisation, spontaneous creation, psychological process"
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