乡巴佬防御:文化调解美国在国内外的恐怖主义

Carol Mason
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引用次数: 31

摘要

2003年从伊拉克医院被救出的西弗吉尼亚士兵杰西卡·林奇(Jessica Lynch)和另一名西弗吉尼亚士兵琳迪·英格兰(Lynndie England)的两张对立的照片,使得女权主义者有必要对山民作为文化偶像的理论做出贡献。2004年,林迪·英格兰的照片成为伊拉克监狱虐待的代名词。这篇文章考察了历史、政治和文学背景,将人们的注意力转移到山里人身上,作为对美国作为一个不文明国家的批评的辩护,将林奇和英格兰的叙述与埃里克·鲁道夫(Eric Rudolph)的叙述联系起来。埃里克·鲁道夫是一个被认为是登山生存主义者的人,2005年因炸毁堕胎诊所、女同性恋酒吧和奥运会庆祝活动而被定罪。在每一种情况下,乡巴佬——对现代性的“进步”和美国人的不满的矛盾心理的有限的、原始的白人象征——在文化上被用来调解美国的军事极端主义、宗教报复和恐怖。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Hillbilly Defense: Culturally Mediating U.S. Terror at Home and Abroad
The dichotomous images of Jessica Lynch, a West Virginia soldier who was rescued from an Iraqi hospital in 2003, and Lynndie England, another West Virginia soldier whose picture became synonymous with prison abuse in Iraq in 2004, have necessitated a feminist contribution to the theorizing of the hillbilly as a cultural icon. This article examines historical, political, and literary contexts for diverting attention to the hillbilly as a defense against criticism of America as an uncivilized nation, connecting the narratives of Lynch and England with accounts of Eric Rudolph, a supposed mountaineer survivalist who in 2005 was convicted of bombing abortion clinics, a lesbian bar, and an Olympic celebration. In each case, the hillbilly—that liminal, primitive white icon of ambivalence about modernity's "progress" and its American discontents—is deployed culturally to mediate American military extremism, religious retribution, and terror.
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