{"title":"来自17世纪的《拉门托》亨利·伊纳兹·弗朗茨·拜伯的玫瑰花瓣6号","authors":"C. Berger","doi":"10.2307/932990","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"64 1","pages":"17"},"PeriodicalIF":0.4000,"publicationDate":"1992-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932990","citationCount":"0","resultStr":"{\"title\":\"Musikalische Formbildung im Spannungsfeld nationaler Traditionen des 17. Jahrhunderts: Das \\\"Lamento\\\" aus Heinrich Ignaz Franz Bibers Rosenkranzsonate Nr. 6\",\"authors\":\"C. Berger\",\"doi\":\"10.2307/932990\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":43273,\"journal\":{\"name\":\"ACTA MUSICOLOGICA\",\"volume\":\"64 1\",\"pages\":\"17\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"1992-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/932990\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ACTA MUSICOLOGICA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/932990\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACTA MUSICOLOGICA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/932990","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Musikalische Formbildung im Spannungsfeld nationaler Traditionen des 17. Jahrhunderts: Das "Lamento" aus Heinrich Ignaz Franz Bibers Rosenkranzsonate Nr. 6