让·皮莱蒙在波兰国王斯塔尼斯拉夫·奥古斯特的宫廷(1765-1767)

IF 0.1 3区 艺术学 0 ART
M. Gordon-Smith
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引用次数: 0

摘要

在维也纳的玛丽亚·特蕾莎和弗朗西斯一世的宫廷(1763-1765)呆了两年之后,让·皮莱蒙接受了新当选的波兰国王斯坦尼斯拉夫·奥古斯特·波尼亚托夫斯基的邀请,来到华沙担任宫廷画家。在此期间,他在各种媒体上证明了自己的创作才能。这将被证明是一项严格的任命。这位年轻的国王受过良好的教育,游历广泛(他曾在德累斯顿、维也纳、柏林、阿姆斯特丹、巴黎、伦敦和圣彼得堡的宫廷逗留),是一位真正的艺术爱好者,一位眼光敏锐的收藏家,他努力通过将建筑师、画家和雕塑家、戏剧、歌剧和芭蕾舞艺术家带到华沙,创造一个开明的宫廷,并为学习、艺术和艺术收藏创造有利条件。然而,这个雄心勃勃的计划对他的艺术家提出了严格的要求,这是斯坦尼斯拉夫·奥古斯特根据他自己的想法所决定的。对于皮莱蒙这样一个自由奔放的人来说,这尤其乏味,但他顺从地遵从了国王的意愿,执行了多项与他的艺术无关的命令,从一个皇家字母组合的项目;贡多拉项目;另一个是洛可可式墙支架;从普鲁塔克、提图斯·利维乌斯和苏托尼乌斯的文本中获得灵感的历史素描,根据国王的书面描述呈现;此外,还可以看到皮拉内西之后的古代遗迹:位于罗马的朱莉娅湖和密涅瓦·美第奇神庙。最后是爱国的波兰寓言作品。幸运的是,国王的命令也包括皮莱蒙擅长的主题,即国王书房的洛可可式墙壁装饰和乌加兹多皇家夏宫的两对大而精美的镶板,这些镶板现在在巴黎的小皇宫收藏。皮莱蒙还为国王的私人寓所画了许多田园风景画。其中四扇至今仍被用作皇家城堡的大门。在斯坦尼斯拉夫·奥古斯特的榜样下,著名的贵族家庭,如Czartoryskis, Branickis, Potockis, Sapiehas, Zamoyskis和Mniszechs也收集了Pillement的素描和油画。为了感谢皮勒芒的贡献,国王授予他皇家专利,封他为波洛涅总理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jean Pillement at the Court of King Stanislaw August of Poland (1765-1767)
After a two-year stay at the Imperial Court of Maria Theresa and Francis I in Vienna (1763-1765), during which he proved his creative talents in a variety of media, Jean Pillement accepted the invitation of the newly elected King of Poland, Stanislaw August Poniatowski, to come to Warsaw in order to take on the post of court painter. It would prove to be an exacting appointment. The young King well educated and well travelled (he had sojourned at the courts of Dresden, Vienna, Berlin, Amsterdam, Paris, London and St. Petersburg) was a genuine lover of the arts, a discerning collector and strove to create an enlightened court by bringing to Warsaw architects, painters and sculptors, theatre, opera and ballet artists and generally create favourable conditions for learning, the arts and art collecting. This ambitious programme, however, placed on his artists stringent demands dictated by Stanislaw August according to his own vision of what he wished to be done. It was particularly tedious for such a free spirit like Pillement, but he obediently complied with the King's wishes by executing multiple orders not necessarily related to his art and ranging from the project of a royal monogram; a project of gondolas; another of Rococo wall brackets; sketches of paintings of history inspired by texts by Plutarch, Titus Livius and Suetonius presented according to the written descriptions of the King; furthermore, views of antique ruins after Piranesi: the Acqua Julia and the temple of Minerva Medici, both in Rome. And finally - patriotic Polish allegorical compositions. Mercifully, the King's orders included also topics in which Pillement excelled, namely Rococo wall decorations for the King's study and two pairs of large, superb panels for the royal summer residence of Ujazdow, which are now in the collection of the Petit Palais in Paris. Pillement also painted numerous pastoral landscapes for the king's private apartments. Four of them are used today as overdoors at the Royal Castle. Following the example of Stanislaw August, prominent aristocratic families, such as the Czartoryskis, the Branickis, the Potockis, the Sapiehas, the Zamoyskis and the Mniszechs also collected Pillement's drawings and paintings. In appreciation of Pillement's services, the King granted him a royal patent to the title of Premier Peintre du Roy (also appears spelled as Roi) de Pologne.
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来源期刊
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期刊介绍: Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.
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