公元1600年左右当地生产的北科西嘉船只:以L 'Osari (belgodre, Haute-Corse)海岸塔为例

Q2 Arts and Humanities
Starinar Pub Date : 2022-01-01 DOI:10.2298/sta2272301p
K. Pêche-Quilichini
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引用次数: 0

摘要

这篇文章包括对在L?Osari (Belgod ?在L. Vidal (Inrap)的指导下,于2015年上映。这座纪念碑位于科西嘉岛北部的岩石海岸上,致力于海上监视,以应对当时奥斯曼海盗的持续威胁,属于1530年至1700年间沿全岛海岸建造的同类型建筑网络(约100座)。挖掘带来了许多遗迹,证明了占领塔楼的守卫(torregiani)的日常生活。这些菜肴主要是由来自不同作坊的进口陶器制成的,其中大部分是意大利的,还有一些是当地生产的。后者的特点是其制造特点:它是非轮式的,用石棉脱脂。从这个意义上说,它是可以追溯到中世纪晚期甚至更早的传统的一部分。这项研究涉及这类船只。它首先关注的是连锁操作。Ratoire和使用实验方法的结果来澄清某些方面。因此,有可能确定花瓶是从底部制作的,使用的方法包括将粘土条叠加在一起,然后用滚筒压平。一个特殊的技术点存在于典型的篮柄悬挂的方式中。使用石棉(附近的一种资源)作为脱脂原料,可以用花瓶的机械和热坚固性的改善来解释。这是科西嘉人在铁器时代就已经遵循的传统,在中世纪末期到20世纪之间经历了一次复兴。然后,我们提出了基于开口,底部,墙壁和手柄的形态计量学评估,旨在为将来发现的陶瓷序列的比较提供参考。接下来是对形状库的类型分析和对其相对分布的研究。最常见的花瓶是带篮柄的烹饪锅(pignule),这种形式早在两个世纪前就出现在岛上。低形式(testi和tiani)也很常见。这项研究还揭示了这种粗糙的产品的某些功能方面,与进口陶器的使用相辅相成。没有本地生产的餐具突出了这一点,这可以用这类小容器的更多进口来解释。使用痕迹的识别(或不识别)也表明,尽管史学上考虑了这一点,但在架子上有把手的烹饪锅的使用并不一定。背景化突出了序列的兴趣,它可以被认为是16世纪末到17世纪初科西嘉北部时期的参考集。最后,对塔楼的居住者提供当地生产的花瓶的方式以及这些建筑中有效的烹饪功能提出了假设,这些都是科西嘉现代时期的特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Locally produced northern Corsica vessels of around 1600AD: Example from the coastal tower of L’Osari (Belgodère, Haute-Corse)
The article consists of a study of locally produced vessels discovered during the excavation of the coastal tower of L?Osari (Belgod?re, Haute-Corse) in 2015, under the direction of L. Vidal (Inrap). This monument, dedicated to maritime surveillance in the face of the constant threat of Ottoman piracy at the time, is located on a rocky coast in northern Corsica and belongs to a network of buildings (around a hundred) of the same type built along the coast of the whole island between 1530 and 1700. Excavations have brought to light numerous remains attesting to the daily life of the guards (torregiani) occupying the tower. The dishes are largely made up of imported pottery from various workshops, mostly Italian, and some locally produced. The latter is characterised by its manufacturing features: it is non-wheeled and degreased with asbestos. In this sense, it is part of a tradition dating back to the late Middle Ages or even older. The study concerns this category of vessels. It first focuses on the chaine op?ratoire and uses the results of experimental approaches to clarify certain aspects. It was, thus, possible to determine that the vases were produced from the bottom, using a method involving the superimposition of clay strips, previously flattened with a roller. A particular technical point exists in the way in which the typical basket handle was hung. The use of asbestos, a resource present nearby, as a degreasing raw material, is explained by an improvement in the mechanical and thermal solidity of the vases. This was a Corsican tradition already observed during the Iron Age and which experienced a revival between the end of the Middle Ages and the 20th century. We then present a morphometric assessment based on the opening, the bottoms, the walls and the handles, intended to provide a reference for comparison of ceramic sequences discovered in the future. This is followed by a typological analysis of the shape repertoires and a study of their relative distribution. The most frequent vases are cooking pots (pignule) with a basket handle, a form that appeared on the island two centuries earlier. Low forms (testi and tiani) are also very common. The study also reveals certain functional aspects of this coarse looking production, complementary to the use of imported pottery. This point is underlined by the absence of locally produced tableware, which can be explained by the greater importation of this category of small containers. The identification (or not) of traces of use has also shown that the use of cooking pots with handles on racks is not a certainty, in spite of historiographical considerations to this effect. The contextualisation highlights the interest of the sequence, which can be considered a reference set for the period between the end of the 16th and the beginning of the 17th century in northern Corsica. In conclusion, hypotheses are put forward on the ways in which the occupants of the tower were supplied with locally produced vases and on the culinary functioning in force in these buildings, which are characteristic of the modern period in Corsica.
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Starinar
Starinar Arts and Humanities-Classics
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