Sofija Petković, Milica Tapavički-Ilić, Jelena Andjelkovic-Grasar
{"title":"庞特的肖像油灯:早期拜占庭视觉文化中可能的解释和意义","authors":"Sofija Petković, Milica Tapavički-Ilić, Jelena Andjelkovic-Grasar","doi":"10.2298/STA1565079P","DOIUrl":null,"url":null,"abstract":"– The subject of this paper is a fragmented oil-lamp, discovered at Pontes (east Serbia) dated to the 6th century, whose handle ending is shaped as a woman’s head. The question posed in this paper is whether the image of this woman could be identified as a portrait of some particular person or if it is just as a pictorial sign with some complicated symbolic meaning. The suggested identification alludes to the image of some of the empresses from the second half of the 6th century.","PeriodicalId":36206,"journal":{"name":"Starinar","volume":"1 1","pages":"79-89"},"PeriodicalIF":0.0000,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"A portrait oil lamp from Pontes: Possible interpretations and meanings within early Byzantine visual culture\",\"authors\":\"Sofija Petković, Milica Tapavički-Ilić, Jelena Andjelkovic-Grasar\",\"doi\":\"10.2298/STA1565079P\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"– The subject of this paper is a fragmented oil-lamp, discovered at Pontes (east Serbia) dated to the 6th century, whose handle ending is shaped as a woman’s head. The question posed in this paper is whether the image of this woman could be identified as a portrait of some particular person or if it is just as a pictorial sign with some complicated symbolic meaning. The suggested identification alludes to the image of some of the empresses from the second half of the 6th century.\",\"PeriodicalId\":36206,\"journal\":{\"name\":\"Starinar\",\"volume\":\"1 1\",\"pages\":\"79-89\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Starinar\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/STA1565079P\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Starinar","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/STA1565079P","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
A portrait oil lamp from Pontes: Possible interpretations and meanings within early Byzantine visual culture
– The subject of this paper is a fragmented oil-lamp, discovered at Pontes (east Serbia) dated to the 6th century, whose handle ending is shaped as a woman’s head. The question posed in this paper is whether the image of this woman could be identified as a portrait of some particular person or if it is just as a pictorial sign with some complicated symbolic meaning. The suggested identification alludes to the image of some of the empresses from the second half of the 6th century.
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