阿加加与电影《印尼与马来西亚》中的安全

mufdil tuhri
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引用次数: 0

摘要

本文考察了两部印尼和马来西亚电影中宗教的表现。本文认为,电影人成功地在两部电影中描绘了多样性和宗教。在方法上,本文比较了两部电影,即印度尼西亚电影《门卡里·希拉尔》(2015)和马来西亚电影《Wayang》(2008)。本文运用了Stuart Hall(1997)的再现理论来分析这部电影。这篇文章认为,这两部电影几乎展示了伊斯兰教作为两个国家的主要宗教的保守和现代光谱之间的争论的相同背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
AGAMA DAN KERAGAMAN DALAM FILM INDONESIA DAN MALAYSIA
This article examines the respresentation of religion in two Indonesian and Malaysian films. This article argued that filmmakers have succeeded in trying to portray diversity and religion in the two films. Methodologically, this article compared between two films namely the Indonesian Film, Mencari Hilal (2015) and the Malaysian Film, Wayang (2008). To analyze the film, this article used the theory of Representation by Stuart Hall (1997). This article contend that two films almost showed the same context of polemics between conservative and modernist spectrum of Islam as a dominant religion in two country.
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