edouard马奈的《草地上的午餐》是一幅油画的寓言

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2005-01-01 DOI:10.2307/1483783

Rolf Læssøe

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引用次数: 7

摘要

爱德华·马奈(edward Manet) 1863年的《草地上的少年》(Le Dejeuner sur l’herbe)一直被视为神秘莫测。这篇文章认为，这幅画经常被注意到的工作室氛围是将它作为一种高度特殊的绘画寓言以新的眼光看待的几个关键之一。这一解读的其他关键包括两个男人的室内帽子，裸体者的放松态度，以及一种画中画的存在。与此相关的是，画中倾斜的指针被视为马奈本人的替身，这与马奈的其他重要作品类似。最后，本文还将这幅画与库尔贝、塞尚和修拉的绘画作了比较。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Édouard Manet's "Le Déjeuner sur l'herbe" as a Veiled Allegory of Painting

Edouard Manet's Le Dejeuner sur l'herbe, 1863, has always been seen as enigmatic. This essay argues that the painting's often noted studio atmosphere is one of several keys to seeing it in a new light as a highly idiosyncratic allegory of painting. Other keys to this reading include the indoor hats of the two men, the relaxed attitude of the nude, and the presence of a kind of painting within the painting. Related to this, the reclining pointer in the painting is seen as a stand-in for Manet himself in a way that is similar to other key works by Manet. Finally, the painting is also discussed in relation to paintings by Courbet, Cezanne and Seurat.

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来源期刊

Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.