{"title":"1715年前贾科莫·弗朗西斯科·西珀作品中的现实主义元素","authors":"G. Gruber","doi":"10.2307/1483656","DOIUrl":null,"url":null,"abstract":"With this paper the author attempts to show that in some hitherto unpublished paintings Cipper works from real life. His oeuvre has always been characterised as anecdotal or erotic, but his early period work especially has a lot of realistic, \"portrait-like\" compositions with a psychological intensity that offers an important point of departure for Ceruti's genre scenes. Cipper's early work has to be seen in a different light: it is not a development for mastering his central spatial perspective, as Proni proposed in 1994. To the contrary, it is linked to the \"northern\" principle of the projection onto the pictorial plane as first discussed by Pacht. The colouristic development of the oeuvre will be demonstrated with the help of the colour reproductions of some important, crucial paintings known until now only in black and white.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"22 1","pages":"109-125"},"PeriodicalIF":0.1000,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1483656","citationCount":"0","resultStr":"{\"title\":\"Realistic Elements in the Work of Giacomo Francesco Cipper before 1715\",\"authors\":\"G. Gruber\",\"doi\":\"10.2307/1483656\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"With this paper the author attempts to show that in some hitherto unpublished paintings Cipper works from real life. His oeuvre has always been characterised as anecdotal or erotic, but his early period work especially has a lot of realistic, \\\"portrait-like\\\" compositions with a psychological intensity that offers an important point of departure for Ceruti's genre scenes. Cipper's early work has to be seen in a different light: it is not a development for mastering his central spatial perspective, as Proni proposed in 1994. To the contrary, it is linked to the \\\"northern\\\" principle of the projection onto the pictorial plane as first discussed by Pacht. The colouristic development of the oeuvre will be demonstrated with the help of the colour reproductions of some important, crucial paintings known until now only in black and white.\",\"PeriodicalId\":43492,\"journal\":{\"name\":\"Artibus et Historiae\",\"volume\":\"22 1\",\"pages\":\"109-125\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2001-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/1483656\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artibus et Historiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/1483656\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1483656","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Realistic Elements in the Work of Giacomo Francesco Cipper before 1715
With this paper the author attempts to show that in some hitherto unpublished paintings Cipper works from real life. His oeuvre has always been characterised as anecdotal or erotic, but his early period work especially has a lot of realistic, "portrait-like" compositions with a psychological intensity that offers an important point of departure for Ceruti's genre scenes. Cipper's early work has to be seen in a different light: it is not a development for mastering his central spatial perspective, as Proni proposed in 1994. To the contrary, it is linked to the "northern" principle of the projection onto the pictorial plane as first discussed by Pacht. The colouristic development of the oeuvre will be demonstrated with the help of the colour reproductions of some important, crucial paintings known until now only in black and white.
期刊介绍:
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.