“大图”:洞悉非洲南部鸵鸟岩画*

IF 1.3 3区 历史学 0 ARCHAEOLOGY
J. Hollmann, P. Wits
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引用次数: 37

摘要

在西开普省克莱因斯沃思堡的长征庇护所里,这些画有两种意义上的“大”。它们本身非常庞大和详细,但就它们提供的新颖见解而言,它们也是“大”的。不像德拉肯斯堡的圣艺术,那里的人类。:羚羊的组合是最常见的组合,长征艺术家基于他们的视觉隐喻进行了融合,人性化。动物精神力量作用于一个完全不同的物种——鸵鸟。长征画借鉴了其他不常见的隐喻和象征,在这里首次被识别和讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
'BIG PICTURES': INSIGHTS INTO SOUTHERN AFRICAN SAN ROCK PAINTINGS OF OSTRICHES*
The paintings at Long March Shelter in the Klein Swartberg, Western Cape Province, are 'big'in two senses. They are themselves remarkably large and detailed, but they are also 'big' in terms of the novel insights they offer. Unlike San art in the Drakensberg, where human.: antelope combinations are the most common conflation, the Long March artists based their visual metaphors of fused, human.: animal spirit power upon a species from a quite dafferent taxon-the ostrich. The Long March paintings a/so draw on other uncommon metaphors and symbolr that are identified and discussed here for the first time.
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来源期刊
CiteScore
1.50
自引率
33.30%
发文量
0
期刊介绍: The South African Archaeological Bulletin - the longest established archaeological journal in sub-Saharan Africa, it contains the cutting edge of research on southern Africa. Appearing twice a year, it includes current research, notes by readers and book reviews.
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