斯特拉文斯基和法国战后一代:影响的各个方面

IF 0.2 0 MUSIC
E. Campbell
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引用次数: 0

摘要

本文探讨了斯特拉文斯基的几个方面。法国作曲家皮埃尔·布列兹(Pierre Boulez)、让·巴拉克(Jean Barraqu)等战后法语先锋派重要作曲家的影响。,母鸡?ri Pousseur和Michel Philippot。而梅西安、布列兹和巴拉克?以斯特拉文斯基为基础?在他的节奏创新中,普塞尔关注的是俄罗斯作曲家的声音复杂性。年代的分数。布列兹和菲利普称赞斯特拉文斯基?斯特拉文斯基独特的乐器组合和后来布列兹在斯特拉文斯基的某些作品中发现的?他的乐谱是音乐形式的新源泉,以及斯特拉文斯基提供的结构连贯性?螺距极性的使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stravinsky and the post-war generation in France: Aspects of influence
This article explores aspects of Stravinsky?s influence on some key composers of the Francophone post-war avant-garde, namely Pierre Boulez, Jean Barraqu?, Hen?ri Pousseur and Michel Philippot. While Messiaen, Boulez and Barraqu? build on Stravinsky?s rhythmic innovations, Pousseur focuses on the sonic complexity of the Russian composer?s scores. Boulez and Philippot praise Stravinsky?s unique instrumental groupings and later Boulez finds in certain of Stravinsky?s scores a renewed source of musical form, as well as the structural coherence afforded by Stravinsky?s use of pitch polarity.
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CiteScore
0.20
自引率
0.00%
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5
审稿时长
12 weeks
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