艺术音乐-伏伊伏丁那在社会历史和音乐历史背景下的作曲实践

IF 0.2 0 MUSIC
Nemanja Sovtić
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引用次数: 0

摘要

在本文中,地域框架的设置是为了形成一个区域性的历史。致力于伏伊伏丁那艺术音乐创作的音乐合成,与以前的音乐史学所提供的合成不同。可以说,在两次世界大战之间对伏伊伏丁那社区音乐生活发展做出巨大贡献的作曲家,对“地方类型”的贡献并不大。现代主义音乐。在20世纪下半叶,他们参与决定新音乐的地位。冷战时期的现代主义和现实主义塞尔维亚国家剧院、伏伊伏丁那作曲家协会和诺维萨德艺术学院在第二次世界大战后支持伏伊伏丁那的作曲实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Arti Musices Pannoniarum - the compositional practice in Vojvodina in the social-historical and musico-historical context
In this paper, the territorial frameworks are set with the aim of forming a regional histor?ical synthesis dedicated to the creation of art music in Vojvodina, a synthesis that differs from those offered in previous music historiographies. It can be said that the composers who greatly contributed to the development of the musical life of the Vojvodina communities in the interwar period have made modest contributions to the ?local type? musical modernism. In the second half of the 20th century, they were involved in determining the place of ?new music? within modernism and realism in the Cold War period. The Serbian National Theatre, the Association of Composers of Vojvodina and the Academy of Arts in Novi Sad gave support to compositional practice in Vojvodina after the Second World War.
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