本体论解释学作为音乐学话语的催化剂:几个小品

IF 0.2 0 MUSIC
Igor Radeta
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引用次数: 0

摘要

从语言的发明,希腊赫姆现象?对圣经来说,释经是文化和文明的重要范式之一。与一般本体论相结合,解释学提供了原始和直观的理论见解。本文提出并探讨了本体论解释学对音乐学话语产生影响的几种可能性。从文本存在轴心上的关系困境出发,在话语的不同定义中找到了最初的答案。在本体论领域,从亚里士多德到元本体论,一场更为详尽的辩论仍在继续。最后,提供了解释学/本体论与音乐现象之间的交叉参考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ontological hermeneutics as a catalyst of musicological discourse: A few sketches
From the invention of language, the phenomenon of Greek herm?neia to biblical exegesis, interpretation is one of the crucial paradigms of culture and civilization. Joined with general ontology, hermeneutics offers original and intuitive theoretical insights. In this paper the author proposes and examines several possibilities of productive influence of ontological hermeneutics on musicological discourse. Starting with the dilemma concerning the relationship on the axis text-being, the first answers have been found in different definitions of discourse. A more elaborate debate continues in the field of ontology, from Aristotle to metaontology. Finally, cross-references that intersect types of hermeneutics/ontology and musical phenomena are offered.
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来源期刊
CiteScore
0.20
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