从玻色-爱因斯坦凝聚发展的声音的合成和分析:理论和实验结果

IF 0.2 0 MUSIC
Dragan Novković, Marko Peljevic, Mateja Malinovic
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引用次数: 3

摘要

量子物理学和声学两个看似不相容的世界在玻色-爱因斯坦凝聚的实验中有了他们的交汇点。从一开始,量子音乐项目就基于将实验中出现的量子物理声学现象转化为人耳可接触到的声音域的想法。本文的第一部分描述了这些声学现象发生的实验条件。论文的第二部分描述了声音合成的过程,该过程是用来产生最后的声音。声音合成是基于两类基本数据的使用:理论公式和玻色-爱因斯坦凝聚的实验结果。基于理论方程的声音合成过程遵循加性合成原理,利用Java Script和Max MSP软件实现。利用MatLab软件对实验结果进行声音合成。文章的第三部分是对产生的声音进行声学分析,指出了一些已经出现的声学现象。同时,我们也讨论了在创作和演奏当代音乐的过程中使用这些声音的可能方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Synthesis and analysis of sounds developed from the Bose-Einstein condensate: Theory and experimental results
Two seemingly incompatible worlds of quantum physics and acoustics have their meeting point in experiments with the Bose-Einstein Condensate. From the very beginning, the Quantum Music project was based on the idea of converting the acoustic phenomena of quantum physics that appear in experiments into the sound domain accessible to the human ear. Th e fi rst part of this paper describes the experimental conditions in which these acoustic phenomena occur. Th e second part of the paper describes the process of sound synthesis which was used to generate fi nal sounds. Sound synthesis was based on the use of two types of basic data: theoretical formulas and the results of experiments with the Bose-Einstein condensate. Th e process of sound synthesis based on theoretical equations was conducted following the principles of additive synthesis, realized using the Java Script and Max MSP software. The synthesis of sounds based on the results of experiments was done using the MatLab so ft ware. Th e third part or the article deals with the acoustic analysis of the generated sounds, indicating some of the acoustic phenomena that have emerged. Also, we discuss the possible ways of using such sounds in the process of composing and performing contemporary music.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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