{"title":"数字音乐学的地形和分类","authors":"E. Selfridge-Field","doi":"10.21857/YQ32OH4E79","DOIUrl":null,"url":null,"abstract":"How does one make sense of the rapidly growing array of resources for musicologists online? In part, the answer depends on what specifi c interests are topical in the local environment. User needs vary widely. This contribution examines some organization issues in large repositories that available without cost in Europe and North America. Obstacles to fi nding sites with relevant material are many and generally parallel those familiar from using physical libraries.","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":"48 1","pages":"215-225"},"PeriodicalIF":0.1000,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"A topography and taxonomy of digital musicology\",\"authors\":\"E. Selfridge-Field\",\"doi\":\"10.21857/YQ32OH4E79\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"How does one make sense of the rapidly growing array of resources for musicologists online? In part, the answer depends on what specifi c interests are topical in the local environment. User needs vary widely. This contribution examines some organization issues in large repositories that available without cost in Europe and North America. Obstacles to fi nding sites with relevant material are many and generally parallel those familiar from using physical libraries.\",\"PeriodicalId\":40716,\"journal\":{\"name\":\"Arti Musices\",\"volume\":\"48 1\",\"pages\":\"215-225\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2017-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arti Musices\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21857/YQ32OH4E79\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arti Musices","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21857/YQ32OH4E79","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
How does one make sense of the rapidly growing array of resources for musicologists online? In part, the answer depends on what specifi c interests are topical in the local environment. User needs vary widely. This contribution examines some organization issues in large repositories that available without cost in Europe and North America. Obstacles to fi nding sites with relevant material are many and generally parallel those familiar from using physical libraries.
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