应“朋友的要求”出版:亚历山大·罗斯和詹姆斯·比蒂在十八世纪阿伯丁的作者网络

Q2 Arts and Humanities
Authorship Pub Date : 2016-06-30 DOI:10.21825/AJ.V5I1.2352
Ruth Knezevich
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引用次数: 0

摘要

18世纪阿伯丁的作者身份通常与伦敦和爱丁堡的不同。阿伯丁的作者模式在很大程度上依赖于一个错综复杂的网络,包括书商、赞助人、读者和评论家,这些人都参与了准备供读者消费的文本的工作;然而,将作者描述为“灵感天才”的主流叙事不允许这种网络存在。诗人亚历山大·罗斯(Alexander Ross)和他的朋友兼哲学家詹姆斯·比蒂(James Beattie)的写作生涯为阿伯丁模式提供了一个有用的案例研究——尤其是当通过书籍历史的视角来考虑文学作品创作过程中的材料实践时。罗斯的职业生涯和18世纪的阿伯丁都提供了将18世纪末出现的“灵感天才”概念历史化的方法。因此,探讨罗斯和贝蒂的写作生涯为讨论开辟了新的途径,特别是这两位诗人,以及一般意义上的写作实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Publishing at "the request of friends": Alexander Ross and James Beattie’s Authorial Networks in Eighteenth-Century Aberdeen
Authorship in eighteenth-century Aberdeen often functioned differently than in London and Edinburgh. The Aberdeen model of authorship relied heavily on an intricate network of booksellers, patrons, readers, and critics involved in preparing a text to be consumed by the reading public; yet the prevailing narrative of the author as rising to “inspired genius” disallows for this network. The authorial career of poet Alexander Ross and his friend/mentorship with philosopher James Beattie offers a useful case study of the Aberdeen model—especially when approached through a lens of book history to consider the material practices surrounding the production of a literary work. Both Ross’s career in particular and eighteenth-century Aberdeen offer ways to historicize the concept of the “inspired genius” emerging at the end of the eighteenth century. Therefore, addressing the authorial careers of Ross and Beattie opens up new avenues for discussion, both of these poets in particular and of discourses of authorial practices in general.
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CiteScore
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