探索在卢卡·伊诺克的漫画书系列的图形符文

M. Tasić, Dusan Stamenkovic
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引用次数: 3

摘要

借鉴Forceville(2005, 2006, 2011)的工作,他使用语言工具来分析漫画,本文将图画符文作为漫画书中发现的一种特定类型的视觉信息进行处理。正如Kennedy(1982)所提出的,图像符文是用于图片中修改物体文字描述的图形设备,旨在传达这些物体的某些方面,否则很难从字面上描述。在漫画中,它们通常被用来暗示各种情绪,如愤怒、恐惧、痛苦或惊讶,并表示移动物体的速度或方向等。本文使用Forceville(2011)提出的研究模型,旨在对意大利流行漫画系列《Gea》中的图画符文进行识别和分类,试图证实上述方法,并添加到已经编目的符文列表中。此外,在这个漫画系列中发现的新符文显示出是索引符号,而不是符号符号。本文还简要概述了符文在整个系列中的分布。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
EXPLORING PICTORIAL RUNES IN LUCA ENOCH’S COMIC BOOK SERIES GEA
Drawing on the work of Forceville (2005, 2006, 2011), who employed linguistic tools in analysing comics, the paper deals with pictorial runes as a specific type of visual information found in comic books. As Kennedy (1982) proposes, pictorial runes are graphic devices used in pictures to modify the literal depictions of objects, intended to convey certain aspects of those objects that are otherwise difficult to depict literally. In comics, they are usually employed to imply various emotions, such as anger, fear, pain, or surprise, and indicate speed or the direction of a moving object, among other things. Using the research model presented by Forceville (2011), the paper aims at identifying and categorising pictorial runes in a popular Italian comic book series Gea , in an attempt to corroborate the above method and add to the list of already inventoried runes. Furthermore, the new runes found in this comic book series show evidence of being indexical, rather than symbolic, signs. The paper also briefly outlines the distribution of runes across the entire series.
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