{"title":"感知作为米哈伊尔·希什金《拉里奥诺夫回忆录》和《皮斯莫夫尼克》的叙事范畴","authors":"Ленинские Горы, L. Gory","doi":"10.18384/2310-7278-2023-1-108-115","DOIUrl":null,"url":null,"abstract":"Aim. The purpose of the paper is to identify modernist principles of composing a text in modern Russian literature or, to be exact, to identify a tendency for a narrative to be based on perception rather than actions. Methodology. The research investigates narrative structures of Mikhail Shishkin’s Larionov’s Reminiscences ( One Night Befalls Us All , 1993) and Pismovnik (2010). The quality of these structures correlates with theoretical ideas of Jos é Ortega y Gasset and Vladimir Weidle who postulated the crucial change in the quality of an early 20 th century literature narrative (they claimed that a traditional plot was replaced with a sequence of subjective perceptual images). It also investigates syntax and tropes of Shishkin’s novels.","PeriodicalId":33191,"journal":{"name":"Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta Seriia Russkaia filologiia","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"PERCEPTION AS A NARRATIVE CATEGORY IN MIKHAIL SHISHKIN’S LARIONOV’S REMINISCENCES AND PISMOVNIK\",\"authors\":\"Ленинские Горы, L. Gory\",\"doi\":\"10.18384/2310-7278-2023-1-108-115\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Aim. The purpose of the paper is to identify modernist principles of composing a text in modern Russian literature or, to be exact, to identify a tendency for a narrative to be based on perception rather than actions. Methodology. The research investigates narrative structures of Mikhail Shishkin’s Larionov’s Reminiscences ( One Night Befalls Us All , 1993) and Pismovnik (2010). The quality of these structures correlates with theoretical ideas of Jos é Ortega y Gasset and Vladimir Weidle who postulated the crucial change in the quality of an early 20 th century literature narrative (they claimed that a traditional plot was replaced with a sequence of subjective perceptual images). It also investigates syntax and tropes of Shishkin’s novels.\",\"PeriodicalId\":33191,\"journal\":{\"name\":\"Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta Seriia Russkaia filologiia\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta Seriia Russkaia filologiia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18384/2310-7278-2023-1-108-115\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta Seriia Russkaia filologiia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18384/2310-7278-2023-1-108-115","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
的目标。本文的目的是确定现代主义在现代俄罗斯文学中构成文本的原则,或者确切地说,确定叙事基于感知而不是行动的趋势。方法。本研究考察了米哈伊尔·希什金的《拉里奥诺夫的回忆》(1993年出版)和《皮斯莫夫尼克》(2010年出版)的叙事结构。这些结构的质量与Jos Ortega y Gasset和Vladimir Weidle的理论思想有关,他们假设了20世纪早期文学叙事质量的关键变化(他们声称传统的情节被一系列主观感知图像所取代)。本文还研究了希什金小说的句法和修辞。
PERCEPTION AS A NARRATIVE CATEGORY IN MIKHAIL SHISHKIN’S LARIONOV’S REMINISCENCES AND PISMOVNIK
Aim. The purpose of the paper is to identify modernist principles of composing a text in modern Russian literature or, to be exact, to identify a tendency for a narrative to be based on perception rather than actions. Methodology. The research investigates narrative structures of Mikhail Shishkin’s Larionov’s Reminiscences ( One Night Befalls Us All , 1993) and Pismovnik (2010). The quality of these structures correlates with theoretical ideas of Jos é Ortega y Gasset and Vladimir Weidle who postulated the crucial change in the quality of an early 20 th century literature narrative (they claimed that a traditional plot was replaced with a sequence of subjective perceptual images). It also investigates syntax and tropes of Shishkin’s novels.