感知作为米哈伊尔·希什金《拉里奥诺夫回忆录》和《皮斯莫夫尼克》的叙事范畴

Ленинские Горы, L. Gory
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引用次数: 0

摘要

的目标。本文的目的是确定现代主义在现代俄罗斯文学中构成文本的原则,或者确切地说,确定叙事基于感知而不是行动的趋势。方法。本研究考察了米哈伊尔·希什金的《拉里奥诺夫的回忆》(1993年出版)和《皮斯莫夫尼克》(2010年出版)的叙事结构。这些结构的质量与Jos Ortega y Gasset和Vladimir Weidle的理论思想有关,他们假设了20世纪早期文学叙事质量的关键变化(他们声称传统的情节被一系列主观感知图像所取代)。本文还研究了希什金小说的句法和修辞。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PERCEPTION AS A NARRATIVE CATEGORY IN MIKHAIL SHISHKIN’S LARIONOV’S REMINISCENCES AND PISMOVNIK
Aim. The purpose of the paper is to identify modernist principles of composing a text in modern Russian literature or, to be exact, to identify a tendency for a narrative to be based on perception rather than actions. Methodology. The research investigates narrative structures of Mikhail Shishkin’s Larionov’s Reminiscences ( One Night Befalls Us All , 1993) and Pismovnik (2010). The quality of these structures correlates with theoretical ideas of Jos é Ortega y Gasset and Vladimir Weidle who postulated the crucial change in the quality of an early 20 th century literature narrative (they claimed that a traditional plot was replaced with a sequence of subjective perceptual images). It also investigates syntax and tropes of Shishkin’s novels.
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