“苏联电影”作为冷战时期意识形态影响的演员

IF 0.1 Q3 HISTORY
E. Prosolova
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引用次数: 0

摘要

在冷战时期,电影出口不仅是在国外发行获得商业利益的手段,也是意识形态影响的重要工具。在苏联,全联盟协会“Sovexportfilm”承担着销售苏联电影产品和购买外国电影的职能。本文的目的是在苏联奉行的对外政策框架内,研究“苏联电影”对外宣传的方法和原则。本文考察了“Sovexportfilm”组织活动的主要方面,协会创建和改组的历史,其工作机制和效率。确定了向西欧、美国、拉丁美洲、亚洲和非洲国家出口产品的具体情况。这篇文章特别注意对苏联和美国所采用的针对外国进行宣传的原则进行比较分析,涉及到一些方面,包括组织活动、生产能力和保留政策。通过对资料来源的分析,可以追溯“Sovexportfilm”作为外交政策影响代理人的主要发展阶段,找出电影出口制度的缺陷,并突出该协会在冷战最后阶段活动失败的原因。根据研究结果,作者得出结论,“Sovexportfilm”最初具有强大的海外推广苏联电影的启动潜力,由于一些客观因素和20世纪80年代组织工作的错误,停止了通过苏联电影传播意识形态影响的功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘“Sovexportfilm” as an Actor of Ideological Influence during the Cold War
During the Cold War exporting films was not only a means of obtaining commercial benefits from distribution in foreign countries, but also an important instrument of ideological influence. In the USSR, the All- Union Association “Sovexportfilm” served these functions selling Soviet film products as well as purchasing foreign films. The purpose of the article is to study the methods and principles of propaganda of “Sovexportfilm” in its work with foreign states within the framework of the foreign policy pursued by the USSR. The article examines the main aspects of the organizational activities of “Sovexportfilm”, the history of the creation and reorganization of the association, the mechanisms and efficiency of its work. The specifics of the export of products to the countries of Western Europe, the USA, Latin America, the countries of Asia and Africa are determined. The article pays particular attention to a comparative analysis of the principles of conducting propaganda aimed at foreign countries employed by the USSR and the United States as far as a number of aspects are concerned, including organizational activity, production capacity, and repertoire policy. The analysis of the sources enables to trace the main stages of the development of “Sovexportfilm” as an agent of foreign policy influence, to identify the shortcomings in the system of export of film, and also to highlight the reasons for the failure of the association’s activities in the last stages of the Cold War. Based on the results of the study, the author comes to the conclusion that “Sovexportfilm”, initially possessing a powerful starting potential for promoting Soviet films abroad, due to a number of objective factors and mistakes in organization of its work by the 1980s, ceased to perform the function of spreading ideological influence through the Soviet cinema.
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