19世纪初的那不勒斯王国和俄罗斯:基于布尔加科夫兄弟的书信

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
I. A. Poplavskaya
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引用次数: 0

摘要

本文以亚历山大·布尔加科夫和康斯坦丁·布尔加科夫兄弟之间的书信往来为基础,考察了1802-1808年俄国驻那不勒斯外交使团的活动。根据历史学家海登·怀特(Hayden White)的修辞方法,在描述19世纪初俄罗斯那不勒斯王国与西欧国家之间的关系时,将悲剧和小说元叙事区分开来。按照悲剧情节的叙述,揭示了主人公与世界、拿破仑与以奥地利、英国和俄罗斯为首的欧洲国家联盟之间的对抗。与此同时,从历史的角度来看,悲剧向小说的转变以拿破仑战争时代结束后既定世界秩序的变化为前提,1814年至1815年维也纳会议的决定巩固了这一秩序。所选的元叙事的情节基础是那不勒斯国王斐迪南四世及其家人的生活;拿破仑在意大利的军事行动;俄国对那不勒斯的外交和军事援助以及在那不勒斯和巴勒莫的俄国人的生活;1812年卫国战争事件;亚历山大皇帝在战胜拿破仑军队中扮演的救世主角色。揭示了1813-1815年盟军的行动和维也纳会议的决定对意大利民族解放运动的出现和随后的国家统一的影响。布尔加科夫的书信体作品的空间中心是那不勒斯、巴勒莫、罗马,四个帝国的首都(巴黎、维也纳、伦敦、彼得堡),以及相关的历史人物(奥地利国王费迪南德四世和他的妻子玛丽亚·卡罗莱纳(法国女王玛丽·安托瓦内特的妹妹)、拿破仑、约瑟夫·波拿巴、约阿希姆·缪拉、奥地利皇帝弗朗西斯二世、俄罗斯皇帝亚历山大一世、教皇庇护七世、那不勒斯王国海军上将兼国务卿约翰·阿克顿、俄国在那不勒斯和罗马的使节。Italinsky和sin,还有其他人。文章分析了俄国文学“那不勒斯”文本的概念领域和诗学。在书信中,那不勒斯的形象是通过南欧和北欧的会议、那不勒斯和彼得堡、君主制和共和国、天主教和东正教、历史和现代的情况呈现的。那不勒斯被认为是一个特殊的交流空间,与两兄弟的外交活动有关,与他们的交流圈有关,从美学上讲,私人信件是一种自我文件。那不勒斯被认为是一个岛国,是“火山脚下的人间天堂”,是拉扎洛尼和狂欢节文化的城市,这使布尔加科夫兄弟之间的通信与18世纪末- 19世纪前三分之一的俄罗斯游记中对这座城市的描述密切相关。作者声明没有利益冲突。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Kingdom of Naples and Russia at the Beginning of the 19th Century: Based on the Correspondence of the Bulgakov Brothers
The article examines the activities of the Russian diplomatic mission in Naples in 1802-1808 based on the correspondence between brothers Alexander and Konstantin Bulgakov. In accordance with the tropological methodology of the historian Hayden White, tragic and novel metanarratives are distinguished in describing the relationship between the Kingdom of Naples, Russia, and the countries of Western Europe at the beginning of the 19th century. The narration of the events in accordance with the tragic plot reveals the confrontation between the hero and the world, Napoleon and the coalition of European states led by Austria, Britain, and Russia. At the same time, the transformation of the tragedy into the novel in historical terms presupposes a change in the established world order after the end of the era of the Napoleonic Wars, which the decisions of the Congress of Vienna consolidated in 18141815. The basis of the plot in the selected metanarratives is the life of Ferdinand IV, the king of Naples, and his family; Napoleon’s military actions in Italy; diplomatic and military assistance to Naples from Russia and the life of Russians in Naples and Palermo; the events of the Patriotic War of 1812; the messianic role of Emperor Alexander in the victory over Napoleon’s army. The influence of the actions of the allied forces in 1813-1815 and the decisions of the Congress of Vienna on the emergence of national liberation movements in Italy and the subsequent unification of the country is revealed. The spatial centers of the Bulgakovs’ epistolary works are Naples, Palermo, Rome, the capitals of four empires (Paris, Vienna, London, Petersburg), and related historical figures (King Ferdinand IV and his wife Maria Carolina of Austria (sister of Marie Antoinette, the French queen), Napoleon, Joseph Bonaparte, Joachim Murat, Austrian Emperor Francis II, Russian Emperor Alexander I, Pope Pius VII, Admiral and Secretary of State of the Kingdom of Naples John Acton, Russian envoys in Naples and Rome A.Ya. Italinsky and sine, and others. The article analyzes the conceptual sphere and poetics of the “Neapolitan” text of Russian literature. In the letters, the image of Naples is presented through the situation of a meeting of Southern and Northern Europe, Naples and Petersburg, monarchy and republic, Catholicism and Orthodoxy, history and modernity. Naples is perceived as a special communicative space associated with the diplomatic activities of both brothers, with their circle of communication, and aesthetically with a private letter as a kind of an ego-document. The perception of Naples as an island state, as an “earthly paradise at the foot of a volcano”, as a city of the Lazzaroni and carnival culture brings the correspondence between the Bulgakov brothers close with descriptions of this city in Russian travelogues of the late 18th - first third of the 19th centuries. The author declares no conflicts of interests.
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