关于电视框架概念的构成(或从概念上分析电视观看模式的重构)

Q4 Social Sciences

Comunicacao Midia e Consumo Pub Date : 2017-12-15 DOI:10.18568/cmc.v14i41.1444

Caroline Cavalcanti de Oliveira, Carlos Eduardo Marquioni

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引用次数: 0

摘要

在当代，看电视有了新的含义:电视观看模式被重新配置，超越了在“流”中跟随广播公司设置的流媒体内容的行为(Williams)。通过论证“帧”的存在(Gumbrecht)和观察图像边界的概念(Aumont)，本文提出了与新电视体验相关的电视帧的潜在定义。电视框架既包括屏幕的扩展，也包括播放时间的扩展，它将包括观众、电视和与观看电视的新方式相关的小工具——构成一种氛围。在《厨艺大师巴西》真人秀节目中，观众的参与与内容的传递模式的衔接体现了所建议的语境。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Sobre a constituição da noção de frame televisual (ou Analisando conceitualmente as reconfigurações nos modos de assistir TV)

In contemporaneity, to watch TV takes on new meanings: TV viewing modes have been reconfigured, surpassing the act of following streaming content set by broadcasters in “flow” (Williams). Arguing the existence of a “frame” (Gumbrecht), and observing the image boundaries’s notion (Aumont), here is proposed the potential definition of what would be a television frame associated with a new TV experience. Encompassing both an expansion of the screen and an expansion of the broadcasting time, the television frame would comprise the viewer, the television and the gadgets associated with the new ways of watching television – constituting an atmosphere. The suggested context is exemplified by the articulation of audience’s participation with the delivery modes of content in the reality show of gastronomy MasterChef Brazil.

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来源期刊

Comunicacao Midia e Consumo Social Sciences-Communication

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

30 weeks

期刊介绍： The journal Comunicação, Mídia e Consumo – Communication, Media and Consumption – is published in printed and digital versions by the Programa de Pós-Graduação em Comunicação e Práticas de Consumo da ESPM-SP – Postgraduate Programme in Communication and Consumption Practices of ESPM-SP – Escola Superior de Propaganda e Marketing – Superior School of Propaganda and Marketing and it is evaluated as Qualis A2; its editorial line is to approach relevant topics of the field of Communication, understood here as a complex socio-cultural process and practice. The articles must be well-founded and mobilise different authors of a given theoretical tendency so that they develop a critical reflection about the approached thematic topics. In the case of empirical articles, besides the contextualisation and the descriptive stage of the material, we privilege articles which present a theoretico-interpretative of the aspects that are observed in the corpus.