文化史中的文化史

O. Pavlova
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引用次数: 0

摘要

本文致力于定义人文学科组织的基本概念和方法论原则,特别是历时视角下的文化研究。在理解文化研究的历史原理的过程中,研究了文化研究领域的变迁。特别是,人文知识从直接认同“人文科学”领域(“Geisteswissenschaf- ten”)转向研究人类生活方式的基本多样性,并相应地揭示了文化的先验地位,以及在历时维度上理解不同文化相互作用的基本原则的必要性。承认文化多样性的原始指导方针,首先要重新思考作为评价指导方针的历史顺序,但另一方面,要避免对历史决定论原则的无用否定。因此,理解文化史需要研究文化史,作为对文化知识的历史理解的基础。总的来说,这门学科——文化史甚至“文化史”——是从文化作为一个整体的概念在两个方面衍生出来的:定义“文化”一词的范围和内容。以及认识到其原有的非同质性,因而需要反思其分类的基本原则;文化多样性的初步指导方针不仅提供了定义同步视角的可能性,也提供了定义历时视角的可能性。因此,文化史是文化研究的一个理论领域,它捕捉、理解并制定了理解文化的历史动态与基本概念内容之间的关系的学科领域和方法论指导方针。因此,文化史的学科领域隐含地提供了文化史的语境,而文化史则需要反思其理论和经验指导的组织顺序。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CULTURAL HISTORY IN THE CONTEXT OF HISTORY OF CULTURE
The article is devoted to the definition of basic concepts and methodological principles of the organization of the humanities, in particular cul- ture studies in a diachronic perspective. The shift of the field of cultural research in the process of understanding its historical principles is studied. In particular, there is a pattern of shifting humanities knowledge from direct identification with the field of "human sciences" ("Geisteswissenschaf- ten") to the study of the fundamental multiplicity of human way of life, and, accordingly, exposing the transcendental status of culture and the need to understand the basic principles of interaction of different cultures in the diachronic dimension. Recognition of the original guideline of cultural diversity presupposes a rethinking of the historical sequence as an evaluative guideline, but, on the other hand, the avoidance of a futile denial of the principle of historicism in general. Thus, understanding the history of culture requires the study of cultural history as the basis of historical understanding of the very knowledge of culture. In general, the discipline – the history of culture or even "history of cultures" is derived from the concept of culture as a whole in two dimen- sions: defining the scope and content of the term "culture". As well as the recognition of its original non-homogeneity, and hence the need for re- flection on the basic principles of its classification; the initial guideline for cultural diversity provides for the possibility of defining not only a syn- chronous but also a diachronic perspective. Thus, cultural history is a theoretical field of cultural research, which captures, comprehends and formulates the subject field and methodolog- ical guidelines for understanding the historical dynamics of culture in its correlation with the content of basic concepts. Thus, the subject field of cultural history implicitly provides the context of the history of culture, and the history of culture – the need to reflect on the order of organization of their theoretical and empirical guidelines.
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