Muralart作为城市文化空间的组成部分

A. Batenko
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引用次数: 0

摘要

本文的目的是在城市文化空间的背景下,界定壁画艺术作为街头艺术的一部分所扮演的角色。城市壁画艺术的识别,它的转变取决于创作地点和观众感知的变化,需要更详细的研究。А很多人不区分街头艺术的概念;不了解壁画的艺术价值。因此,展示壁画所能具有的所有功能是很有用的。城市空间壁画的数量和质量影响着城市空间的声誉、文化和发展趋势。也就是说,壁画既可以破坏城市景观,也可以美化城市景观。壁画经常激发人类意识的丰富,因为艺术家提出了重要的社会问题,激发了观众的思考。他们试图把这座城市变成一个大型画廊,以影响那些不自觉地成为街头艺术观众和鉴赏家的人。探讨乌克兰壁画主义在城市空间中的发展趋势也是合适的。毕竟,街头艺术在乌克兰已经变得非常流行,我们可以看到各种主题节日和比赛。研究方法包括跨学科方法,分析文化和艺术史的科学作品,审查主题媒体和街头艺术家的创作作品,以确定其活动的特点和目的。研究城市文化空间问题的现代乌克兰研究人员的作品,壁画艺术和街头艺术一般都参与其中。科学的新颖性在于研究壁画艺术对个人感知的影响,从而引起人们对城市语境中社会政治问题的关注。以世界街头艺术家的作品分析为例,揭示了壁画的社会教育功能已由单纯的审美功能转向社会教育功能的趋势。该研究的现实意义在于强调壁画具有艺术价值,具有独特的语义信息,而不仅仅是一种审美手段。这篇文章对文化学、历史学、艺术史、建筑学和艺术家都很有用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MURALART AS A COMPONENT OF THE CULTURAL SPACE OF THE CITY
The aim of the article is to define the role of mural art as a part of street art in the context of the cultural urban space. Identification of mural art in cities, its transformation depending on the place of creation and changes in the perception of the viewer requires needs research that is more detailed. А lot of people do not distinguish between concepts in street art; do not understand the artistic value of murals. Therefore, it is useful to show all functions, which murals can have. The quantity and quality of murals in the urban space affects its reputation, culture, development trends. That is, murals can both spoil urban visions and aestheticize them. Murals often engine enrichment of human consciousness, because artists raise important social issues, motivate the viewer to think. They try to turn the city into a large gallery, to influence people who involuntarily become spectators and connoisseurs of street art. It is also appropriate to explore the trends of Ukrainian muralism in the urban space. After all, street art has become very popular in Ukraine, as evidenced we can see various thematic festivals and competitions. The research methodology involves an interdisciplinary approach, analysis of scientific works of cultural and art history, review of thematic media and creative work of street artists to determine the characteristics and purposes of their activities. The works of modern Ukrainian researchers who study the issues of the cultural space of the city, mural art and street art in general are involved. The scientific novelty lies in the study of the influence of mural art on personal perception on drawing attention to socio-political problems in the urban context. On the example of the analysis of works of world street artists the tendency to social and educational function of murals, instead of simply aesthetic, is traced. The practical significance of the study is to emphasize that murals have artistic value, a unique semantic message, and are not just a means of aestheticization. The article can be useful for specialists in culturology, history, art history, architecture and for artists.
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