{"title":"歌剧中的盛宴和禁食:从文艺复兴时期的宴会到卡拉斯饮食,Pierpaolo Polzonetti著","authors":"E. Jacobson","doi":"10.1525/jams.2023.76.1.230","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":"24 1","pages":""},"PeriodicalIF":1.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet, by Pierpaolo Polzonetti\",\"authors\":\"E. Jacobson\",\"doi\":\"10.1525/jams.2023.76.1.230\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":17183,\"journal\":{\"name\":\"Journal of the American Musicological Society\",\"volume\":\"24 1\",\"pages\":\"\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the American Musicological Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/jams.2023.76.1.230\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the American Musicological Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/jams.2023.76.1.230","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
期刊介绍:
One of the premier journals in the field, the Journal of the American Musicological Society (JAMS) publishes scholarship from all fields of musical inquiry: from historical musicology, critical theory, music analysis, iconography and organology, to performance practice, aesthetics and hermeneutics, ethnomusicology, gender and sexuality, popular music and cultural studies. JAMS is recognized for the breadth of its intellectual scope and its penetration in the field--over 5,000 subscribers rely on JAMS to inform their scholarship. Each issue includes articles, book reviews, and communications.