通过精神实现民主:普世教会及其与巴西民主的相互联系

Q2 Social Sciences

Horizontes Antropologicos Pub Date : 2023-02-20 DOI:10.1590/1806-9983e650402

Alana Sá Leitão

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引用次数: 0

摘要

福音派教会演员与当代巴西联邦政治之间的联系引发了许多猜测，特别是关于这些教会与新自由主义和民粹主义政府之间的联系。以一种不同的方式，本文旨在展示来自第三波五旬节派的教会，特别是普世教会，是如何参与上世纪80年代末开始的巴西民主的最新历史阶段的。普世教会的成长和巴西的民主发展在这里同时进行调查，揭示了这个教会在过去几十年里所参与的不同政治关系和安排。这使得我们有可能理解普世教会和国家总统之间的联盟对教会机构及其普通成员实际上意味着什么。

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Democracy through the spirit: the Universal Church and its interconnections with Brazilian democracy

Abstract The connection between Evangelical church actors and contemporary Brazilian federal politics has raised many speculations, especially regarding the association of these churches with neoliberalism and populist governments. In a different manner, this article aims to show how churches from the third wave of Pentecostalism, and the Universal Church in particular, engage in the most recent historical phase of Brazilian democracy that began in the late 1980’s. The grow of Universal Church and the democratic development of Brazil are investigated in parallel here, giving light to the different political connections and arrangements this church has been part of in the last decades. This makes it possible to understand what the alliances between the Universal Church and the country’s presidency actually mean for both the church institution and its common members.

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来源期刊

Horizontes Antropologicos Social Sciences-Anthropology

CiteScore

0.90

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Horizontes Antropológicos is published twice yearly by the Department of Post-Graduate Studies in Social Anthropology at the Federal University of Rio Grande do Sul (UFRGS). Initiated in 1995, it represents the Department"s constant efforts to publish a high-quality academic journal of international reach. Each volume is organized around a theme, open to the plurality of interpretations and subjects of interest to anthropologists for the study of sociocultural phenomena. Each issue also includes a section entitled Espaço Aberto (Open Space), allowing space for works that are not directly related to the central theme.