全球黑人电影的个性化档案

IF 0.6 3区艺术学 0 FILM, RADIO, TELEVISION

FILM QUARTERLY Pub Date : 2023-01-01 DOI:10.1525/fq.2023.76.3.63

Walton M. Muyumba

{"title":"全球黑人电影的个性化档案","authors":"Walton M. Muyumba","doi":"10.1525/fq.2023.76.3.63","DOIUrl":null,"url":null,"abstract":"This article examines the concentric resonances among Peck’s recent documentary, Exterminate All the Brutes, and his other films. Exterminate All the Brutes is an effort to make visible and audible the forgotten and unspeakable about the West: that its basic, winning practices are white supremacy, colonialism, and genocidal extermination. Peck’s new opus is a critical interrogation of the West and the Western cinematic and image archive. The film functions as both rebuke and “counter testimony,” building out in vision of a global black film archive. Ultimately, Peck’s four-part documentary encourages viewers to think through cinema about the West critically and models the use of documentary filmmaking as a practice of freedom.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Global Black Cinema’s Personalized Archive\",\"authors\":\"Walton M. Muyumba\",\"doi\":\"10.1525/fq.2023.76.3.63\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the concentric resonances among Peck’s recent documentary, Exterminate All the Brutes, and his other films. Exterminate All the Brutes is an effort to make visible and audible the forgotten and unspeakable about the West: that its basic, winning practices are white supremacy, colonialism, and genocidal extermination. Peck’s new opus is a critical interrogation of the West and the Western cinematic and image archive. The film functions as both rebuke and “counter testimony,” building out in vision of a global black film archive. Ultimately, Peck’s four-part documentary encourages viewers to think through cinema about the West critically and models the use of documentary filmmaking as a practice of freedom.\",\"PeriodicalId\":45540,\"journal\":{\"name\":\"FILM QUARTERLY\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FILM QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/fq.2023.76.3.63\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fq.2023.76.3.63","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

本文考察了派克最近的纪录片《消灭所有的野兽》和他的其他电影之间的共鸣。消灭所有的野兽是一项努力，让人们看到和听到关于西方的被遗忘和不可言说的东西:它的基本的，获胜的做法是白人至上主义，殖民主义和种族灭绝。佩克的新作是对西方以及西方电影和影像档案的批判性质疑。这部电影既是谴责，也是“反证词”，建立了一个全球黑人电影档案的愿景。最终，佩克的这部四集纪录片鼓励观众通过电影批判性地思考西方，并将纪录片制作作为一种自由实践的典范。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Global Black Cinema’s Personalized Archive

This article examines the concentric resonances among Peck’s recent documentary, Exterminate All the Brutes, and his other films. Exterminate All the Brutes is an effort to make visible and audible the forgotten and unspeakable about the West: that its basic, winning practices are white supremacy, colonialism, and genocidal extermination. Peck’s new opus is a critical interrogation of the West and the Western cinematic and image archive. The film functions as both rebuke and “counter testimony,” building out in vision of a global black film archive. Ultimately, Peck’s four-part documentary encourages viewers to think through cinema about the West critically and models the use of documentary filmmaking as a practice of freedom.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

FILM QUARTERLY FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

40.00%

发文量

期刊介绍： Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.