fernandez,皮萨罗和阿巴德家族对自己的评价。第一人称纪录片的可能性

Maguare Pub Date : 2017-01-01 DOI:10.15446/MAG.V31N1.69020
M. R. Rodríguez
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引用次数: 0

摘要

本文讨论了哥伦比亚的三部第一人称叙事纪录片:De(s)amparo, polifonia familiar(2002),作者:Gustavo Fernandez Vega和Carlos Pizarro。玛丽亚·何塞·皮萨罗·罗德里格斯(Maria Jose Pizarro Rodriguez)的《和平之歌》(2010),米格尔·萨拉查(Miguel Salazar)和丹妮拉·阿巴德(Daniela Abad)的《黑暗之歌》(2015)。每一位电影制作人都用记忆的手法来反思,在20世纪90年代末,哥伦比亚政治暴力不断升级的时期,亲人被暗杀对他们和他们的亲属造成的影响。这三部电影是哥伦比亚纪录片制作创新趋势的前沿,其中包括悲伤和哀悼,个人经历以及对家庭关系的批判性审视。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lo que las familias Fernández, Pizarro y Abad cuentan de sí. Las posibilidades del documental en primera persona
This article discusses three Colombian first-person, narrative documentaries: De(s)amparo, polifonia familiar (2002), by Gustavo Fernandez Vega, Carlos Pizarro. Un guerrero de Paz (2010) by Maria Jose Pizarro Rodriguez, and Carta a una sombra by Miguel Salazar and Daniela Abad (2015). Each filmmaker resorts to the work of memory to reflect on the impact that the assassination of a loved one had on them and their relatives during the late 1990s, a period of escalating political violence in Colombia. These three films are at the forefront of an innovative trend in documentary production in Colombia, one that allows for the inclusion of grief and mourning, personal experience, and critical examination of family relationships.
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32 weeks
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