通过数据科学探索安达卢西亚工业遗产:打破差距和关注，以可视化的机会

IF 0.4 N/A HUMANITIES, MULTIDISCIPLINARY

Conservar Patrimonio Pub Date : 2023-01-01 DOI:10.14568/cp27024

Patricia Ferreira Lopes

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引用次数: 0

摘要

工业遗产被理解为工业革命期间出现的与工作文化和生产活动相关的一组元素，近几十年来在西班牙进行了广泛的调查和记录。近年来，由于数字工具和系统的出现，这种情况尤其明显。就安达卢西亚而言，记录、传播和保护工业遗产的努力已成为各种行动和项目的主题。本文介绍了采用的方法和从现有1443份工业遗产不动产记录中获得的结果。结果表明，在更新和整合《数字指南》中的信息方面存在不足，需要采取行动，更多地将这些要素理解为组成它们所出现的景观的一个整体。

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Exploring Andalusian industrial heritage through data science: breaking down the gaps and concerns to visualise opportunities

Industrial heritage, understood as the group of elements related to the work culture and production activities that emerged during the industrial revolution, has been surveyed and documented extensively in Spain in recent decades. This is particularly the case of recent years thanks to the advent of digital tools and systems. In the case of Andalusia, the efforts to document, disseminate and protect industrial heritage have been the subject of a variety of actions and projects. This paper describes the methodology used and the results obtained from a review of the existing 1,443 records of immovable assets of industrial heritage. The results point to deficiencies in the updating and incorporation of information in the Digital Guide, and to the need to carry out actions geared more towards understanding the elements as an integral whole made up of the landscape in which they appear.

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来源期刊

Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.80

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.