当代奖牌的保护:包装解决方案

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Ana Sofia Neves, Ana Bailão, F. Henriques, Andreia Ferreira
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引用次数: 0

摘要

本文有两个目的:第一个目的是介绍已灭绝的研究和研究部门Volte Face - Medalha contempornea的奖牌收藏,该部门由各种尺寸、格式和材料(有机、无机和合成)的奖牌组成,其特性影响了它们的降解方式和处理方式;第二个目标是为奖牌的包装提出包装建议,为此我们使用了3D建模,矢量绘图和3D打印。在第一种情况下,我们提出了对象的清单,他们的文件,组成材料和降解因素的识别。对于第二种情况,定义了选择包装格式和选择建筑材料的标准。箱体选用了多孔聚丙烯,填充材料选用了低密度聚乙烯。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conservation of contemporary medals: packaging solutions
The present article has two objectives: the first one is to present the collection of medals of the extinct Research and Studies Section Volte Face – Medalha Contemporânea, of the Research Unit of the Faculdade de Belas Artes da Universidade de Lisboa, CIEBA, constituted by medals of various sizes, formats and materials (organic, inorganic and synthetic), whose characteristics influence the way they degrade and how they are conditioned; the second objective is to present the packaging proposals for the packing of the medals, for which we used 3D modelling, vector drawing and 3D printing. In the first case, we present the inventory of objects, their documentation, identification of constituent materials and degradation factors. For the second case, criteria were defined for the selection of the packaging format and for the choice of construction materials. The alveolar polypropylene for the box and the low-density polyethylene were selected for the filler material.
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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